<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6590009289287393493</id><updated>2012-01-22T20:57:32.621-05:00</updated><category term='Homosexuality'/><category term='Aliens'/><category term='Space'/><category term='Essay'/><category term='Music'/><category term='Philosophy'/><category term='Comics'/><category term='Crown Dozen'/><category term='Walt Whitman'/><category term='Vincent Gallo'/><category term='Feminism'/><category term='YouTube'/><category term='Wikipedia Wednesday'/><category term='Andy Warhol'/><category term='Elton Motello'/><category term='West Virginia'/><category term='Communism'/><category term='LOST'/><category term='Oddities and Obscurities'/><category term='Ryo Hanmura'/><category term='Hoax'/><category term='Project Gutenberg'/><category term='Literature and Language'/><category term='Movies'/><category term='Weird Science'/><category term='Art and Photography'/><category term='Star Trek'/><category term='Japanese'/><category term='Propaganda'/><category term='Flickr Friday'/><category term='Che Guevara'/><category term='Everything 2'/><category term='Viral'/><title type='text'>Ryan Catcher</title><subtitle type='html'>...</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>49</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-7318462555833708966</id><published>2010-05-20T11:59:00.000-04:00</published><updated>2010-05-20T11:59:07.484-04:00</updated><title type='text'>I'm Moved!</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;span style="font-size: x-large;"&gt;I'm Moved!&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-large;"&gt;&lt;a href="http://chodge.tumblr.com/"&gt;http://chodge.tumblr.com/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-large;"&gt;-Chris &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-7318462555833708966?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/7318462555833708966/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/05/im-moved.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7318462555833708966'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7318462555833708966'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/05/im-moved.html' title='I&apos;m Moved!'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-8878770023916498424</id><published>2010-04-29T09:09:00.000-04:00</published><updated>2010-04-29T09:09:18.076-04:00</updated><title type='text'>May Hiatus</title><content type='html'>I'm moving, so I'm going to be putting this blog on hiatus until I get settled into my new apartment, hopefully by early June. We'll see...&lt;br /&gt;&lt;br /&gt;-Chris&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-8878770023916498424?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/8878770023916498424/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/may-hiatus.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8878770023916498424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8878770023916498424'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/may-hiatus.html' title='May Hiatus'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-5798963239531058928</id><published>2010-04-23T17:45:00.000-04:00</published><updated>2010-04-23T17:43:39.611-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><category scheme='http://www.blogger.com/atom/ns#' term='West Virginia'/><category scheme='http://www.blogger.com/atom/ns#' term='Flickr Friday'/><title type='text'>Selections from Jack Corn's Documerica (1974)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_9y_RHcn49C8/S9H29gG17gI/AAAAAAAAAIk/nuDGkR8ILX0/s1600/Jack+Corn%27s+Documerica+%281974%29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://3.bp.blogspot.com/_9y_RHcn49C8/S9H29gG17gI/AAAAAAAAAIk/nuDGkR8ILX0/s400/Jack+Corn%27s+Documerica+%281974%29.jpg" border="0" height="268" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;blockquote&gt;Robert Johnson, 18, and Lanny Green, 21, Outside a Beer Joint in Clothier, West Virginia, near Madison. They Had Been Drinking Beer and Visiting with Friends Inside. Johnson Has Passed a Job Physical and Is Waiting to Go to Work in the Mines. Green Has Not Worked in the Mines and Isn't Interested, But Has Not Located a Job. He Would Like to Work for the Railroad 04/1974.&lt;/blockquote&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_9y_RHcn49C8/S9H2-4EgxjI/AAAAAAAAAIo/uqHxqlqD88U/s1600/Jack+Corn%27s+Documerica+%281974%29+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://4.bp.blogspot.com/_9y_RHcn49C8/S9H2-4EgxjI/AAAAAAAAAIo/uqHxqlqD88U/s400/Jack+Corn%27s+Documerica+%281974%29+2.jpg" border="0" height="268" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;Four Young Men Gather in a Beer Joint in Clothier, West Virginia, near Madison. They Are Left to Right--Michael Doss, 18; Lanny Green, 21; Junior Jeffory, 20; and Robert Johnson, 18. All Their Parents Work Or Have Worked in the Mine. Jeffory Is a Mining Foreman after Two Years, But Does Not Like It and Wants to Join the Navy. Green Can't Find a Job But Would Like to Work for the Railroad Doss Isn't Working, But Is Waiting for a Job in the Mines 04/1974.&lt;/div&gt;&lt;/blockquote&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_9y_RHcn49C8/S9H2_s-KLVI/AAAAAAAAAIs/oZKnak-AtF4/s1600/Jack+Corn%27s+Documerica+%281974%29+3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://2.bp.blogspot.com/_9y_RHcn49C8/S9H2_s-KLVI/AAAAAAAAAIs/oZKnak-AtF4/s400/Jack+Corn%27s+Documerica+%281974%29+3.jpg" border="0" height="400" width="268" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;blockquote&gt;Robert Johnson, 18, Sits on a Pool Table in a Beer Joint in Clothier, West Virginia, near Madison. He Has Passed a Job Physical and Is Waiting to Go to Work in the Mines. Many of the Young Men Like to Get Together in the Taverns and Drink Beer and Talk. There Is Little Else to Do in the Small Mining Towns 04/1974.&lt;/blockquote&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;/div&gt;&lt;br /&gt;The &lt;a href="http://www.flickr.com/photos/usnationalarchives/collections/72157620729903309/"&gt;DOCUMERICA Project&lt;/a&gt; (1971-1977) was the Environmental Protection Agency's program to document subjects of environmental concern. These included everything from National Parks, Junkyards, and Coal Mines. To document this, the EPA hired over 70 well renowned freelance photographers, including Jack Corn.&lt;br /&gt;&lt;br /&gt;For his DOCUMERICA assignment, Jack Corn focused his camera on the American Coal Miner. These photographs allow us to see the Coal Miner fully formed, from the young man waiting his chance to go down into the mines to the families touched by mining. These photographs stand in drastic contrast to the helpless caricatures others had focused on.&lt;br /&gt;&lt;br /&gt;It's interesting to note that these photographs were taken just two short years after the disastrous Buffalo Creek Flood.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-5798963239531058928?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/5798963239531058928/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/selections-from-jack-corns-documerica.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5798963239531058928'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5798963239531058928'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/selections-from-jack-corns-documerica.html' title='Selections from Jack Corn&apos;s Documerica (1974)'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9y_RHcn49C8/S9H29gG17gI/AAAAAAAAAIk/nuDGkR8ILX0/s72-c/Jack+Corn%27s+Documerica+%281974%29.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-9000352584526501487</id><published>2010-04-21T08:59:00.002-04:00</published><updated>2010-04-21T09:01:42.520-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Cultural Effects of The Year Without a Summer</title><content type='html'>&lt;div class="posterous_autopost" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;span style="font-size: small;"&gt;High levels of ash in the atmosphere led to unusually spectacular sunsets during this period, a feature celebrated in the paintings of &lt;a href="http://en.wikipedia.org/wiki/J._M._W._Turner" title="J. M. W. Turner"&gt;J. M. W. Turner&lt;/a&gt;. It has been theorised that it was this that gave rise to the yellow tinge that is predominant in his paintings such as &lt;i&gt;Chichester Canal circa 1828&lt;/i&gt;. A similar phenomenon was observed after the 1883 &lt;a href="http://en.wikipedia.org/wiki/Krakatoa" title="Krakatoa"&gt;Krakatoa&lt;/a&gt; eruption, and on the &lt;a href="http://en.wikipedia.org/wiki/West_Coast_of_the_United_States" title="West Coast of the United States"&gt;West Coast of the United States&lt;/a&gt; following the 1991 eruption of &lt;a href="http://en.wikipedia.org/wiki/Mount_Pinatubo" title="Mount Pinatubo"&gt;Mount Pinatubo&lt;/a&gt; in the Philippines.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;The lack of oats to feed horses may have inspired the German inventor &lt;a href="http://en.wikipedia.org/wiki/Karl_Drais" title="Karl Drais"&gt;Karl Drais&lt;/a&gt;&lt;a href="http://en.wikipedia.org/wiki/Draisine" title="Draisine"&gt;Draisine&lt;/a&gt; or &lt;a href="http://en.wikipedia.org/wiki/Velocipede" title="Velocipede"&gt;velocipede&lt;/a&gt;. This was the ancestor of the modern &lt;a href="http://en.wikipedia.org/wiki/Bicycle" title="Bicycle"&gt;bicycle&lt;/a&gt; and a step towards mechanized personal transport.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Year_Without_A_Summer#cite_note-15"&gt;[16]&lt;/a&gt;&lt;/sup&gt;&lt;/span&gt; to research new ways of horseless transportation, which led to the invention of the &lt;br /&gt;&lt;span style="font-size: small;"&gt;The crop failures of the “Year without Summer” forced the family of &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Joseph_Smith" title="Joseph Smith"&gt;Joseph Smith&lt;/a&gt;&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Year_Without_A_Summer#cite_note-js_reasontomove-16"&gt;[17]&lt;/a&gt;&lt;/sup&gt;, precipitating a series of events culminating in the publication of the &lt;a href="http://en.wikipedia.org/wiki/Book_of_Mormon" title="Book of Mormon"&gt;Book of Mormon&lt;/a&gt; and the founding of &lt;a href="http://en.wikipedia.org/wiki/The_Church_of_Jesus_Christ_of_Latter-day_Saints" title="The Church of Jesus Christ of Latter-day Saints"&gt;the Church of Jesus Christ of Latter-day Saints&lt;/a&gt;.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Year_Without_A_Summer#cite_note-17"&gt;[18]&lt;/a&gt;&lt;/sup&gt;&lt;/span&gt; to move from Sharon, Vermont to Palmyra, New York &lt;br /&gt;&lt;span style="font-size: small;"&gt;In July 1816 "incessant rainfall" during that "wet, ungenial summer" forced &lt;a href="http://en.wikipedia.org/wiki/Mary_Shelley" title="Mary Shelley"&gt;Mary Shelley&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/John_William_Polidori" title="John William Polidori"&gt;John William Polidori&lt;/a&gt; and their friends to stay indoors for much of their Swiss holiday. They decided to have a contest, seeing who could write the scariest story, leading Shelley to write &lt;a href="http://en.wikipedia.org/wiki/Frankenstein" title="Frankenstein"&gt;&lt;i&gt;Frankenstein&lt;/i&gt;, or &lt;i&gt;The Modern Prometheus&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Vampyre" title="The Vampyre"&gt;The Vampyre&lt;/a&gt;&lt;/i&gt;.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Year_Without_A_Summer#cite_note-18"&gt;[19]&lt;/a&gt;&lt;/sup&gt;&lt;/span&gt; and Polidori to write &lt;br /&gt;&lt;span style="font-size: small;"&gt;The Year without a Summer also inspired &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Lord_Byron" title="Lord Byron"&gt;Lord Byron&lt;/a&gt; to write his 1816 poem &lt;i&gt;&lt;a href="http://en.wikipedia.org/wiki/Darkness_%28poem%29" title="Darkness (poem)"&gt;Darkness&lt;/a&gt;&lt;/i&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;The chemist &lt;a href="http://en.wikipedia.org/wiki/Justus_von_Liebig" title="Justus von Liebig"&gt;Justus von Liebig&lt;/a&gt;, who had experienced the famine as a child in Darmstadt, later studied the nutrition of plants and introduced mineral &lt;a href="http://en.wikipedia.org/wiki/Fertilizer" title="Fertilizer"&gt;fertilizers&lt;/a&gt;.&lt;/span&gt;&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;&lt;span style="font-size: small;"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Year_Without_A_Summer"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/cultural-effects-of-the-year-without-a-summer"&gt;some interesting wikipedia articles...&lt;/a&gt;&lt;/span&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-9000352584526501487?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/9000352584526501487/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/cultural-effects-of-year-without-summer.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/9000352584526501487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/9000352584526501487'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/cultural-effects-of-year-without-summer.html' title='Cultural Effects of The Year Without a Summer'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-5876422370128756744</id><published>2010-04-16T08:06:00.000-04:00</published><updated>2010-04-16T08:06:52.345-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><category scheme='http://www.blogger.com/atom/ns#' term='Flickr Friday'/><title type='text'>Flyer for GARAJE SÓNICO by Marina Molares (2008)</title><content type='html'>&lt;div style="padding: 3px; text-align: left;"&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span id="goog_93969706"&gt;&lt;/span&gt;&lt;span id="goog_93969707"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.flickr.com/photos/juevesonicos/2967020754/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/_9y_RHcn49C8/S8hQYa2zcvI/AAAAAAAAAIA/S_b5EeeGbTk/s400/Flyer+for+GARAJE+S%C3%93NICO+by+Marina+Molares+%282008%29+%5BFront%5D.jpg" width="340" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.flickr.com/photos/juevesonicos/2966156811/in/photostream/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_9y_RHcn49C8/S8hQZYuR-YI/AAAAAAAAAIE/vT5_ipbysdY/s400/Flyer+for+GARAJE+S%C3%93NICO+by+Marina+Molares+%282008%29+%5BBack%5D.jpg" width="340" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="margin-top: 0px;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="margin-top: 0px;"&gt;Flyer for &lt;/span&gt;&lt;span style="margin-top: 0px;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;&lt;a href="http://www.myspace.com/garajesonico"&gt;GARAJE SÓNICO&lt;/a&gt; by &lt;a href="http://www.marinamolares.com/"&gt;Marina Molares&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="margin-top: 0px;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;originally uploaded by &lt;a href="http://www.flickr.com/people/juevesonicos/"&gt;jueves sónicos&lt;/a&gt; via &lt;a href="http://www.flickr.com/photos/christopherleehodge/galleries/72157623868354626/"&gt;flickr&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="margin-top: 0px;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;Starting this week, every Friday I'm going to post interesting photos and art I've discovered via Flickr. You can view the gallery &lt;a href="http://www.flickr.com/photos/christopherleehodge/galleries/72157623868354626/"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="margin-top: 0px;"&gt;  &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-5876422370128756744?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/5876422370128756744/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/garaje-sonico-november-2008.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5876422370128756744'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5876422370128756744'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/garaje-sonico-november-2008.html' title='Flyer for GARAJE SÓNICO by Marina Molares (2008)'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9y_RHcn49C8/S8hQYa2zcvI/AAAAAAAAAIA/S_b5EeeGbTk/s72-c/Flyer+for+GARAJE+S%C3%93NICO+by+Marina+Molares+%282008%29+%5BFront%5D.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-7626239259805045321</id><published>2010-04-15T23:11:00.000-04:00</published><updated>2010-04-15T23:11:49.144-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>John Holstrom</title><content type='html'>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_9y_RHcn49C8/S8fUDJdTZ9I/AAAAAAAAAH4/T4bWNY1CYkk/s1600/John+Holstrom+-+Cartoon+from+Punk+Magazine+%237+%281977%29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_9y_RHcn49C8/S8fUDJdTZ9I/AAAAAAAAAH4/T4bWNY1CYkk/s320/John+Holstrom+-+Cartoon+from+Punk+Magazine+%237+%281977%29.jpg" width="267" /&gt;&lt;/a&gt;&lt;span style="font-size: x-small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;a href="http://www.johnholmstrom.com/index.html"&gt;John Holstrom&lt;/a&gt;, Cartoon from &lt;a href="http://www.punkmagazine.com/"&gt;&lt;i&gt;Punk Magazine&lt;/i&gt;&lt;/a&gt; #7 (1977) &lt;/span&gt;&lt;/div&gt;&lt;blockquote style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;     &lt;blockquote&gt;&lt;span style="font-size: small;"&gt;"I found that most humor comes from degrading people, humiliating them. Most of it is based on pain. The funniest cartoons I do are the ones where I inflict the most pain on my characters. That's just what life is about. I base my cartoons on my life. Whatever horrible things happen to me, I turn into a cartoon."&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;- John Holmstrom&lt;/span&gt;&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;div style="text-align: center;"&gt;&amp;nbsp;Visit &lt;a href="http://en.wikipedia.org/wiki/John_Holmstrom"&gt;John Holmstrom&lt;/a&gt;'s blog &lt;a href="http://www.johnholmstrom.com/"&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-7626239259805045321?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/7626239259805045321/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/john-holstrom.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7626239259805045321'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7626239259805045321'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/john-holstrom.html' title='John Holstrom'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9y_RHcn49C8/S8fUDJdTZ9I/AAAAAAAAAH4/T4bWNY1CYkk/s72-c/John+Holstrom+-+Cartoon+from+Punk+Magazine+%237+%281977%29.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-2606179145131888890</id><published>2010-04-14T07:02:00.002-04:00</published><updated>2010-04-14T07:07:35.163-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Ship of Theseus</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;div style="text-align: justify;"&gt;&lt;blockquote class="posterous_long_quote" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;The &lt;b&gt;Ship of Theseus&lt;/b&gt;, also known as &lt;b&gt;&lt;a href="http://en.wikipedia.org/wiki/Theseus" title="Theseus"&gt;Theseus&lt;/a&gt;' paradox&lt;/b&gt;, or various &lt;a href="http://en.wikipedia.org/wiki/Ship_of_Theseus_paradox#Variations_of_the_paradox"&gt;variants&lt;/a&gt;, notably &lt;b&gt;grandfather's axe&lt;/b&gt; (US) and &lt;b&gt;Trigger's Broom&lt;/b&gt; (UK) is a &lt;a href="http://en.wikipedia.org/wiki/Paradox" title="Paradox"&gt;paradox&lt;/a&gt; that raises the question of whether an object which has had all its component parts replaced remains fundamentally &lt;a href="http://en.wikipedia.org/wiki/Identity_%28philosophy%29" title="Identity (philosophy)"&gt;the same object&lt;/a&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;According to &lt;a href="http://en.wikipedia.org/wiki/Greece" title="Greece"&gt;Greek&lt;/a&gt; &lt;a href="http://en.wikipedia.org/wiki/Legend" title="Legend"&gt;legend&lt;/a&gt; as reported by &lt;a href="http://en.wikipedia.org/wiki/Plutarch" title="Plutarch"&gt;Plutarch&lt;/a&gt;,&lt;/span&gt;&lt;br /&gt;&lt;blockquote class="templatequote"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;The ship wherein &lt;a href="http://en.wikipedia.org/wiki/Theseus" title="Theseus"&gt;Theseus&lt;/a&gt; and the youth of &lt;a href="http://en.wikipedia.org/wiki/Athens" title="Athens"&gt;Athens&lt;/a&gt; returned [from &lt;a href="http://en.wikipedia.org/wiki/Crete" title="Crete"&gt;Crete&lt;/a&gt;] had thirty oars, and was preserved by the Athenians down even to the time of &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Demetrius_Phalereus" title="Demetrius Phalereus"&gt;Demetrius Phalereus&lt;/a&gt;, for they took away the old planks as they decayed, putting in new and stronger timber in their place, insomuch that this ship became a standing example among the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Philosopher" title="Philosopher"&gt;philosophers&lt;/a&gt;, for the logical question of things that grow; one side holding that the ship remained the same, and the other contending that it was not the same.&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="templatequotecite"&gt;&lt;span style="font-size: small;"&gt;—Plutarch,&amp;nbsp;&lt;cite&gt;&lt;i&gt;Theseus&lt;/i&gt;&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Ship_of_Theseus_paradox#cite_note-0"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&lt;/cite&gt;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;span style="font-size: small;"&gt;Plutarch thus questions whether the ship would remain the same if it were entirely replaced, piece by piece. Centuries later, the philosopher &lt;a href="http://en.wikipedia.org/wiki/Thomas_Hobbes" title="Thomas Hobbes"&gt;Thomas Hobbes&lt;/a&gt;&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Ship_of_Theseus_paradox#cite_note-1"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&lt;/span&gt; introduced a further puzzle, wondering: what would happen if the original planks were gathered up after they were replaced, and used to build a second ship. Which ship, if either, is the original Ship of Theseus?&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Ship_of_Theseus_paradox"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/ship-of-theseus-0"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-2606179145131888890?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/2606179145131888890/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/ship-of-theseus.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2606179145131888890'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2606179145131888890'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/ship-of-theseus.html' title='Ship of Theseus'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-4555431684614197691</id><published>2010-04-12T09:00:00.000-04:00</published><updated>2010-04-12T09:00:55.839-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Comics'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>John &amp; Yoko - Jamaica Dyer (2010)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.jamaicad.com/2010/01/john-yoko/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="340" src="http://1.bp.blogspot.com/_9y_RHcn49C8/S8MR-hfkW-I/AAAAAAAAAHs/Ve90iC5-TAk/s400/John%20&amp;amp;%20Yoko%20-%20Jamaica%20Dyer%20%282010%29.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;&lt;a href="http://www.jamaicad.com/2010/01/john-yoko/"&gt;John &amp;amp; Yoko&lt;/a&gt; by &lt;a href="http://www.jamaicad.com/"&gt;Jamaica Dyer&lt;/a&gt; (2010).&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;I'll been following &lt;a href="http://www.jamaicad.com/"&gt;Jamaica Dyer&lt;/a&gt;'s surreal webcomic &lt;a href="http://www.jamaicad.com/wfcomics/"&gt;Weird Fishes&lt;/a&gt; for a-while now. It's a story about growing up that bends and breaks the lines between imagination and hallucination and I enthusiastically suggest it to any fans of &lt;a href="http://www.seemybrotherdance.org/"&gt;Nate Powell&lt;/a&gt;'s &lt;a href="http://www.topshelfcomix.com/catalog/swallow-me-whole/567"&gt;Swallow Me Whole&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;The above image is from her online journal / sketchbook. Here's a quote about it:&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;i&gt;I recently saw the interview with John Lennon and Yoko Ono on the &lt;a href="http://www.youtube.com/watch?v=gfCBFhB_RQs"&gt;Dick Cavett Show&lt;/a&gt; and I loved it so much, the way they both looked and the way they interacted that I realized I had to do a painting. So here’s my little painting from a youtube still. This makes me want to do more re-interpretations of low-quality internet stills and camera photos as paintings.&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;And a page from her sketchbook:&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.jamaicad.com/2010/01/john-yoko/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="321" src="http://1.bp.blogspot.com/_9y_RHcn49C8/S8MV7XqEvxI/AAAAAAAAAHw/AneT-d0ehiM/s400/John%20&amp;amp;%20Yoko%20Sketchbook%20-%20Jamaica%20Dryer%20%282010%29.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&amp;nbsp;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.jamaicad.com/comic/"&gt;Weird Fishes&lt;/a&gt; was recently published by &lt;a href="http://www.slgcomic.com/Weird-Fishes_p_1261.html"&gt;Slave Labor Graphics&lt;/a&gt; and you can get it (for $9.95!) &lt;a href="http://www.slgcomic.com/Weird-Fishes_p_1261.html"&gt;here&lt;/a&gt; or &lt;a href="http://www.amazon.com/Weird-Fishes-Jamaica-Dyer/dp/1593621779/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1259991298&amp;amp;sr=8-1"&gt;here&lt;/a&gt;. Or you could read it online&lt;/span&gt; &lt;a href="http://www.jamaicad.com/wfcomics/%20"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Side Thought: How perfect would it be if &lt;a href="http://en.wikipedia.org/wiki/Diablo_Cody"&gt;Diablo Cody&lt;/a&gt; was contracted to write a script for Weird Fishes? Can you imagine it? DAMN! Talk about a perfect fit. Also, if this ever was adapted into a moive that Diablo Cody wrote I would hope that whoever picks the music would be heads up enough to pick &lt;a href="http://www.mediafire.com/?2jmy3wmezyu"&gt;Radiohead's Weird Fishes / Apreggi&lt;/a&gt; in the trailer / closing credits. &lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-4555431684614197691?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/4555431684614197691/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/john-yoko-jamaica-dyer-2010.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4555431684614197691'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4555431684614197691'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/john-yoko-jamaica-dyer-2010.html' title='John &amp; Yoko - Jamaica Dyer (2010)'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9y_RHcn49C8/S8MR-hfkW-I/AAAAAAAAAHs/Ve90iC5-TAk/s72-c/John%20&amp;%20Yoko%20-%20Jamaica%20Dyer%20%282010%29.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-5817045579721336038</id><published>2010-04-07T18:04:00.002-04:00</published><updated>2010-04-07T18:06:35.647-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Neophile</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Neophile&lt;/b&gt; or &lt;b&gt;Neophiliac&lt;/b&gt; is a term used by counterculture &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Cult_fiction" title="Cult fiction"&gt;cult writer&lt;/a&gt; &lt;a href="http://en.wikipedia.org/wiki/Robert_Anton_Wilson" title="Robert Anton Wilson"&gt;Robert Anton Wilson&lt;/a&gt; to describe a particular type of personality. A neophile or neophiliac can be defined as a personality type characterized by a strong affinity for &lt;a href="http://en.wikipedia.org/wiki/Novelty" title="Novelty"&gt;novelty&lt;/a&gt;. Neophiles/Neophiliacs have the following basic characteristics:&lt;/span&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;The ability to adapt rapidly to extreme change&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;A distaste or downright loathing of &lt;a href="http://en.wikipedia.org/wiki/Tradition" title="Tradition"&gt;tradition&lt;/a&gt;, repetition, and routine&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;A tendency to become bored quickly with old things&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;A desire, bordering on obsession in some cases, to experience novelty&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-size: small;"&gt;A corresponding and related desire to create novelty by creating or achieving something and/or by stirring social or other forms of unrest.&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;span style="font-size: small;"&gt;A neophile/neophiliac is distinct from a &lt;a href="http://en.wikipedia.org/wiki/Revolutionary" title="Revolutionary"&gt;revolutionary&lt;/a&gt; in that anyone might become a revolutionary if pushed far enough by the reigning authorities or social norms, whereas neophiles/neophiliacs are revolutionaries by nature. Their intellectual abhorrence of tradition and repetition usually bemoans a deeper emotional need for constant novelty and change. The meaning of neophile/neophiliac approaches and is not mutually exclusive to the term &lt;a href="http://en.wikipedia.org/wiki/Visionary" title="Visionary"&gt;visionary&lt;/a&gt;, but differs in that a neophile actively seeks first-hand experience of novelty rather than merely pontificating about it.&lt;/span&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="posterous_quote_citation" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Neophile"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/neophile"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-5817045579721336038?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/5817045579721336038/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/neophile.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5817045579721336038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5817045579721336038'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/neophile.html' title='Neophile'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-1560591170578082723</id><published>2010-04-05T20:39:00.000-04:00</published><updated>2010-04-05T20:39:16.975-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='YouTube'/><title type='text'>Malvina Reynolds - No Hole in My Head (1967)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/4sooNNv9qHg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/4sooNNv9qHg&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;color1=0x006699&amp;amp;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;From: &lt;a href="http://en.wikipedia.org/wiki/Pete_Seeger"&gt;Pete Seeger&lt;/a&gt;'s &lt;a href="http://en.wikipedia.org/wiki/Rainbow_Quest"&gt;Rainbow Quest&lt;/a&gt;, 1967.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-1560591170578082723?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/1560591170578082723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/malvina-reynolds-no-hole-in-my-head.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1560591170578082723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1560591170578082723'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/malvina-reynolds-no-hole-in-my-head.html' title='Malvina Reynolds - No Hole in My Head (1967)'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-7031315028623887695</id><published>2010-04-02T08:54:00.000-04:00</published><updated>2010-04-02T08:54:00.602-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Philosophy'/><category scheme='http://www.blogger.com/atom/ns#' term='Essay'/><title type='text'>The Birth of Altermodern - Micah White (2010)</title><content type='html'>&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://www.micahmwhite.com/images/altermodern.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="215" src="http://www.micahmwhite.com/images/altermodern.jpg" width="400" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr align="center"&gt;&lt;td class="tr-caption"&gt;© NAN GOLDIN / COURTESY MATTHEW MARKS GALLERY, NEW YORK.&lt;br /&gt;NAN GOLDIN – MISTY AND JIMMY PAULETTE IN A TAXI, NYC,&amp;nbsp;1991.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;span class="caps bold xlarge highYellow"&gt;I received a crash course in postmodern thought&lt;/span&gt; during my first semester at Swarthmore College. In a lesson that was to be repeated throughout my undergraduate education, the professor opened the class by admonishing us to reject binary thinking. As the class was staring at her dumbfounded, she divided the chalkboard in two with a thick vertical line and asked us to name the dualisms that structure our world. After she provided a few examples to get us started – male/female, white/black – we jumped into the game, calling out binaries one after another: rich/poor, smart/stupid, human/animal, cool/lame, skinny/fat … The game went on until the board was full and the air saturated with chalk dust. Pausing a moment, our comparative literature professor asked us if we noticed anything odd about the list we had&amp;nbsp;constructed.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;(&lt;a href="http://www.micahmwhite.com/writer/altermodern.php"&gt;Read More&lt;/a&gt; via &lt;a href="http://www.micahmwhite.com/index.php"&gt;MicahMWhite.com&lt;/a&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-7031315028623887695?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/7031315028623887695/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/birth-of-altermodern-micah-white-2010.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7031315028623887695'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7031315028623887695'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/birth-of-altermodern-micah-white-2010.html' title='The Birth of Altermodern - Micah White (2010)'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-6801507657941608691</id><published>2010-04-01T10:05:00.001-04:00</published><updated>2010-04-01T21:28:26.508-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Philosophy'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><category scheme='http://www.blogger.com/atom/ns#' term='Feminism'/><title type='text'>Harriet Taylor Mill</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_9y_RHcn49C8/S7QAYnVgViI/AAAAAAAAAHM/Vcc6ti05AIg/s1600-h/Harriet_Mill_from_NPG.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_9y_RHcn49C8/S7QAYnVgViI/AAAAAAAAAHM/Vcc6ti05AIg/s400/Harriet_Mill_from_NPG.jpg" width="326" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;&amp;nbsp;(Harriet Mill&lt;/i&gt;, Artist and Date Unknown) &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;A haunting, uncredited painting of &lt;a href="http://en.wikipedia.org/wiki/Harriet_Taylor_Mill"&gt;Harriet Taylor Mill&lt;/a&gt; (October 8 1807 – November 1858). Harriet was a philosopher, early suffragist, and an influence on her second husband &lt;a href="http://en.wikipedia.org/wiki/John_Stuart_Mill"&gt;John Stuart Mill&lt;/a&gt;.&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;You can read her essay, &lt;i&gt;The Enfranchisement of Women&lt;/i&gt; (1851) &lt;a href="http://www.pinn.net/%7Esunshine/book-sum/ht_mill3.html"&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-6801507657941608691?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/6801507657941608691/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/harriet-taylor-mill.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6801507657941608691'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6801507657941608691'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/04/harriet-taylor-mill.html' title='Harriet Taylor Mill'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9y_RHcn49C8/S7QAYnVgViI/AAAAAAAAAHM/Vcc6ti05AIg/s72-c/Harriet_Mill_from_NPG.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-5200614761380992384</id><published>2010-03-31T08:14:00.001-04:00</published><updated>2010-03-31T08:15:07.830-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Glass Delusion</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;The &lt;b&gt;glass delusion&lt;/b&gt; was an external manifestation of a psychiatric disorder recorded in Europe in the late Middle Ages (15th to 17th centuries). People feared that they were made of glass "and therefore likely to shatter into pieces". One famous early sufferer was King &lt;a href="http://en.wikipedia.org/wiki/Charles_VI_of_France" title="Charles VI of France"&gt;Charles VI of France&lt;/a&gt; who refused to allow people to touch him, and wore reinforced clothing to protect himself from accidental "shattering".&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/The_Glass_Delusion"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/glass-delusion"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-5200614761380992384?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/5200614761380992384/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/glass-delusion.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5200614761380992384'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5200614761380992384'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/glass-delusion.html' title='Glass Delusion'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-1983508423334272476</id><published>2010-03-29T11:52:00.000-04:00</published><updated>2010-03-29T11:52:00.821-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>Nate Harrison - Can I Get An Amen? (2004)</title><content type='html'>&lt;span style="font-size: small;"&gt;&lt;/span&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_9y_RHcn49C8/S6-ZJDe3deI/AAAAAAAAAGk/StlK5MyoF00/Nate%20Harrison%20-%20Can%20I%20Get%20An%20Amen%3f%20%282004%29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="98" src="http://4.bp.blogspot.com/_9y_RHcn49C8/S6-ZJDe3deI/AAAAAAAAAGk/StlK5MyoF00/Nate%20Harrison%20-%20Can%20I%20Get%20An%20Amen%3f%20%282004%29.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://nkhstudio.com/index.html"&gt;Nate Harrison&lt;/a&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://nkhstudio.com/pages/popup_amen.html"&gt;Can I Get An Amen? (2004)&lt;/a&gt;&lt;br /&gt;Recording on Acetate, Turntable, PA System, Paper Documents&lt;br /&gt;Dimensions Variable&lt;br /&gt;Total Run Time 17 minutes, 46 seconds&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;  &lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;a href="http://nkhstudio.com/pages/popup_amen.html"&gt;&lt;i&gt;Can I Get An Amen?&lt;/i&gt;&lt;/a&gt; is an audio installation that unfolds a critical perspective of perhaps the most sampled drum beat in the history of recorded music, the Amen Break. It begins with the pop track &lt;a href="http://www.youtube.com/watch?v=GxZuq57_bYM"&gt;&lt;i&gt;Amen Brother&lt;/i&gt;&lt;/a&gt; by 60's soul band &lt;a href="http://en.wikipedia.org/wiki/The_Winstons"&gt;The Winstons,&lt;/a&gt; and traces the transformation of their drum solo from its original context as part of a 'B' side vinyl single into its use as a key aural ingredient in contemporary cultural expression. The work attempts to bring into scrutiny the techno-utopian notion that 'information wants to be free'- it questions its effectiveness as a democratizing agent. This as well as other issues are foregrounded through a history of the Amen Break and its peculiar relationship to current copyright law.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Listen to: &lt;b&gt;&lt;a href="http://nkhstudio.com/pages/amen_mp4.html"&gt;Can I Get An Amen?&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Youtube mirror: &lt;b&gt;&lt;a href="http://www.youtube.com/watch?v=5SaFTm2bcac"&gt;Here.&lt;/a&gt;&lt;/b&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-1983508423334272476?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/1983508423334272476/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/nate-harrison-can-i-get-amen-2004.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1983508423334272476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1983508423334272476'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/nate-harrison-can-i-get-amen-2004.html' title='Nate Harrison - Can I Get An Amen? (2004)'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9y_RHcn49C8/S6-ZJDe3deI/AAAAAAAAAGk/StlK5MyoF00/s72-c/Nate%20Harrison%20-%20Can%20I%20Get%20An%20Amen%3f%20%282004%29.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-1116979338777890411</id><published>2010-03-26T15:45:00.004-04:00</published><updated>2010-03-26T21:45:04.194-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Oddities and Obscurities'/><category scheme='http://www.blogger.com/atom/ns#' term='Communism'/><title type='text'>Christian Communism &amp; Acts 4:32-35</title><content type='html'>&lt;blockquote&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;img src="http://4.bp.blogspot.com/_9y_RHcn49C8/S6waE7XIAeI/AAAAAAAAAFs/sXee6uHWvVk/s320/Christiancommunism_logo.png" border="0" height="320" width="320" /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div  style="text-align: center; font-family: trebuchet ms;font-family:&amp;quot;;"&gt;&lt;span style="font-size:small;"&gt;In &lt;a href="http://en.wikipedia.org/wiki/Christian_communism"&gt;Christian Communism&lt;/a&gt;, the hammer is (ironically?) replaced by the cross. &lt;/span&gt;&lt;/div&gt;&lt;div  style="font-family: trebuchet ms;font-family:&amp;quot;;"&gt;&lt;div style="text-align: justify;"&gt;&lt;blockquote&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;Christian communism&lt;/b&gt; is a form of &lt;a href="http://en.wikipedia.org/wiki/Religious_communism" title="Religious communism"&gt;religious communism&lt;/a&gt; based on &lt;a href="http://en.wikipedia.org/wiki/Christianity" title="Christianity"&gt;Christianity&lt;/a&gt;. It is a theological and political theory based upon the view that the teachings of &lt;a href="http://en.wikipedia.org/wiki/Jesus" title="Jesus"&gt;Jesus Christ&lt;/a&gt; compel Christians to support &lt;a href="http://en.wikipedia.org/wiki/Communism" title="Communism"&gt;communism&lt;/a&gt; as the ideal social system. Although there is no universal agreement on the exact date when Christian communism was founded, many Christian communists assert that evidence from the &lt;a href="http://en.wikipedia.org/wiki/Bible" title="Bible"&gt;Bible&lt;/a&gt; suggests that the first Christians, including the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Twelve_Apostles" title="Twelve Apostles"&gt;Apostles&lt;/a&gt;, created their own small communist society in the years following Jesus' death and resurrection. As such, many advocates of Christian communism argue that it was taught by Jesus and practiced by the Apostles themselves. &lt;/span&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;span style="font-size:small;"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Hikikomori"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:small;"&gt;And here's probably the most pertinent and often quoted passages from the New Testament concerning Christian Communism:&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: justify; font-family: trebuchet ms;"&gt;&lt;blockquote  style=";font-family:&amp;quot;;"&gt;&lt;span style="font-size:small;"&gt;&lt;i&gt;The community of believers was of one heart and mind, and no one claimed that any of his possessions was his own, but they had everything in common. &lt;sup class="versenum" id="en-NIV-27045"&gt;33&lt;/sup&gt;With great power the apostles bore witness to the resurrection of the Lord Jesus, and great favor was accorded them all. &lt;sup class="versenum" id="en-NIV-27046"&gt;34&lt;/sup&gt;There was no needy person among them, for those who owned property or houses would sell them, bring the proceeds of the sale, &lt;sup class="versenum" id="en-NIV-27047"&gt;35&lt;/sup&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size:small;"&gt;&lt;i&gt;and put them at the feet of the apostles, and they were distributed to each according to need.&lt;/i&gt; - &lt;/span&gt;&lt;span style="font-size:small;"&gt;&lt;b&gt;Acts 4:32-35&lt;/b&gt;&lt;/span&gt;&lt;span style="font-size:small;"&gt;, &lt;a href="http://www.usccb.org/nab/bible/index.shtml"&gt;New American Bible&lt;/a&gt;.&lt;/span&gt;&lt;/blockquote&gt;What made me think of this: &lt;a href="http://en.wikipedia.org/wiki/Idiot"&gt;Glenn Beck&lt;/a&gt;'s recent tirade against Social Justice, where he urged his listeners/viewers to leave their churches if they preached/participated in Social Justice. He's just ridiculous. Here's a quote:&lt;br /&gt;&lt;blockquote&gt;"If you have a priest that is pushing social justice, go find another parish," he said. "Go alert your bishop and tell them, 'Excuse me, are you down with this whole social justice thing?' If it's my church, I'm alerting the church authorities: 'Excuse me, what's this social justice thing?' And if they say, 'Yeah, we're all in on this social justice thing,' I am in the wrong place." - &lt;a href="http://en.wikipedia.org/wiki/Idiot"&gt;Glenn Beck&lt;/a&gt;, via &lt;a href="http://abcnews.go.com/WN/glenn-beck-social-justice-christians-rage-back-nazism/story?id=10085008"&gt;ABC News&lt;/a&gt;.&lt;/blockquote&gt;I'm not a biblical scholar or anything like that, but I've always considered Christianity, and certain portions of the New Testament as key foundations of socialism. I mean, if your church &lt;i&gt;&lt;b&gt;doesn't&lt;/b&gt;&lt;/i&gt; preach social justice, then you need to GTFO!&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-1116979338777890411?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/1116979338777890411/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/christian-communism-acts-432-35.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1116979338777890411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1116979338777890411'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/christian-communism-acts-432-35.html' title='Christian Communism &amp; Acts 4:32-35'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9y_RHcn49C8/S6waE7XIAeI/AAAAAAAAAFs/sXee6uHWvVk/s72-c/Christiancommunism_logo.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-2396794640277945658</id><published>2010-03-24T08:57:00.001-04:00</published><updated>2010-03-24T08:57:58.709-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Hikikomori</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;&lt;i&gt;&lt;b&gt;Hikikomori&lt;/b&gt;&lt;/i&gt; &lt;span style="font-weight: normal;"&gt;(&lt;span class="t_nihongo_kanji" xml:lang="ja"&gt;ひきこもり or 引き籠もり&lt;/span&gt;&lt;span class="t_nihongo_comma" style="display: none;"&gt;,&lt;/span&gt; &lt;i&gt;Hikikomori&lt;/i&gt;&lt;span class="t_nihongo_help noprint"&gt;&lt;sup&gt;&lt;a href="http://en.wikipedia.org/wiki/Help:Installing_Japanese_character_sets" title="Help:Installing Japanese character sets"&gt;&lt;span class="t_nihongo_icon" style=""&gt;?&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/span&gt;, literally "pulling away, being confined", i.e., "acute social withdrawal")&lt;/span&gt; is a &lt;a href="http://en.wikipedia.org/wiki/Japanese_language" title="Japanese language"&gt;Japanese&lt;/a&gt; term to refer to the phenomenon of reclusive people who have chosen to withdraw from social life, often seeking extreme degrees of &lt;a href="http://en.wikipedia.org/wiki/Solitude" title="Solitude"&gt;isolation&lt;/a&gt; and confinement because of various personal and social factors in their lives. The term &lt;i&gt;hikikomori&lt;/i&gt; refers to both the sociological phenomenon in general as well as to people belonging to this societal group.&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Hikikomori"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/hikikomori-4"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-2396794640277945658?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/2396794640277945658/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/hikikomori.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2396794640277945658'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2396794640277945658'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/hikikomori.html' title='Hikikomori'/><author><name>Christopher Lee Hodge</name><uri>http://www.blogger.com/profile/07119539153953808905</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-1854417206541359691</id><published>2010-03-23T11:42:00.005-04:00</published><updated>2010-04-01T21:29:09.150-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>UPDATE: Alexa Meade - Natura Morta (2009)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://alexameade.com/portfolio.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://www.alexameade.com/_img/portfolio_natura1.jpg" border="0" height="265" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://alexameade.com/portfolio.html"&gt;&lt;span style="font-size:small;"&gt;&lt;span id="caption"&gt;&lt;span style=";font-family:&amp;quot;;font-size:small;"  &gt;&lt;u&gt;&lt;b&gt;Natura Mora &lt;/b&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:small;"&gt;&lt;span id="caption"&gt;&lt;span style=";font-family:&amp;quot;;font-size:small;"  &gt;Live installation: Acrylic paint on found objects, walls, and flesh.&lt;br /&gt;&lt;a href="http://alexameade.com/contact.html"&gt;Alexa Meade&lt;/a&gt;, 2009.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:small;"&gt;&lt;span id="caption"&gt;&lt;span style=";font-family:&amp;quot;;font-size:small;"  &gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://alexameade.com/portfolio.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://www.alexameade.com/_img/portfolio_natura2.jpg" border="0" height="265" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style=";font-family:&amp;quot;;font-size:x-small;"  &gt;(&lt;a href="http://alexameade.com/portfolio.html"&gt;Natura Morta&lt;/a&gt;, &lt;a href="http://alexameade.com/index.html"&gt;Alexa Meade&lt;/a&gt;, 2009)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://alexameade.com/portfolio.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img src="http://www.alexameade.com/_img/portfolio_natura5.jpg" border="0" height="265" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div  style=";font-family:&amp;quot;;"&gt;&lt;div  style=";font-family:&amp;quot;;"&gt;&lt;span style=";font-family:&amp;quot;;font-size:x-small;"  &gt;(&lt;a href="http://alexameade.com/portfolio.html"&gt;Natura Morta&lt;/a&gt;, &lt;a href="http://alexameade.com/index.html"&gt;Alexa Meade&lt;/a&gt;, 2009)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div  style=";font-family:&amp;quot;;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:small;"&gt;Alexa Meade is a 23-year-old mixed media artist based in the Washington, DC area. She is a graduate of Vassar College and her next upcoming show is on Friday, April 2nd 2010, from 6 to 8pm at the &lt;a href="http://www.postmastersart.com/"&gt;Postmasters Gallery&lt;/a&gt; in New York City. You can view her &lt;a href="http://www.flickr.com/photos/alexameade"&gt;latest work&lt;/a&gt; on her &lt;a href="http://www.flickr.com/photos/alexameade"&gt;flickr&lt;/a&gt;&lt;/span&gt; page or visit her &lt;a href="http://alexameade.com/index.html"&gt;portfolio&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;UPDATE: &lt;a href="http://www.washingtonpost.com/"&gt;The Washington Post&lt;/a&gt; did a write up on Alexa. &lt;a href="http://www.washingtonpost.com/wp-dyn/content/article/2010/03/23/AR2010032303850.html"&gt;Check it out here&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-1854417206541359691?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/1854417206541359691/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/alexa-meade-natura-morta-2009.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1854417206541359691'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1854417206541359691'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/alexa-meade-natura-morta-2009.html' title='UPDATE: Alexa Meade - Natura Morta (2009)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-933030995409447201</id><published>2010-03-22T15:00:00.001-04:00</published><updated>2010-03-22T15:00:00.473-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Aliens'/><category scheme='http://www.blogger.com/atom/ns#' term='Oddities and Obscurities'/><category scheme='http://www.blogger.com/atom/ns#' term='Propaganda'/><category scheme='http://www.blogger.com/atom/ns#' term='Communism'/><title type='text'>Destination Earth (1956)</title><content type='html'>&lt;div class="separator" style="clear: both; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5sakzX2JdI/AAAAAAAABRA/qhWFHs-h7V0/s1600-h/DestinationEarth1956.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="267" src="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5sakzX2JdI/AAAAAAAABRA/qhWFHs-h7V0/s400/DestinationEarth1956.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;(From: Destination Earth, a 1956 &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;American Petroleum Institute &lt;/span&gt;&lt;span style="font-size: x-small;"&gt;Propaganda Film)&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;b&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;"On a distant planet, in a land controlled by an evil totalitarian despot, a lone astronaut is sent to an alien world to acquire valuable technology, but instead discovers the mechanism for toppling a totalitarian regime and bringing revolution to his people. His name is Colonel Cosmic."&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;&lt;/i&gt;&lt;span style="font-size: small;"&gt;I would watch that. And I could easily imagine it as some late 70's early 80's&lt;/span&gt;&lt;span style="font-size: small;"&gt; b-movie sci-fi kitsch that is perfect (and probably available) to watch instantly on Netflix.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;But it's not.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Instead, this is my loosely translated plot-line of an interesting pro-capitalist / pro-oil propaganda cartoon &lt;/span&gt;&lt;span style="font-size: small;"&gt;commissioned by the &lt;/span&gt;&lt;span style="font-size: small;"&gt;American Petroleum Institute in 1956 called Destination Earth. I don't know the history of the major players (animators, directors, music, etc) but the animation is that cute futurism tinged Hanna-Barbera-esque style that I've always loved since I use to watch Cartoon Network back when it literally was nothing but&amp;nbsp; old Hanna-Barbera-esque cartoons. @ archive.org&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Download / View: &lt;a href="http://www.archive.org/details/Destinat1956"&gt;Destination Earth&lt;/a&gt; (1956) via &lt;a href="http://www.archive.org/details/prelinger"&gt;The Prelinger Archives&lt;/a&gt; @ &lt;a href="http://www.archive.org/"&gt;archive.org&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt; &lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-933030995409447201?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/933030995409447201/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/destination-earth-1956.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/933030995409447201'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/933030995409447201'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/destination-earth-1956.html' title='Destination Earth (1956)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_S-mrQSvBJQk/S5sakzX2JdI/AAAAAAAABRA/qhWFHs-h7V0/s72-c/DestinationEarth1956.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-4583476785835332271</id><published>2010-03-18T10:53:00.001-04:00</published><updated>2010-03-18T10:53:00.298-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Viral'/><category scheme='http://www.blogger.com/atom/ns#' term='Hoax'/><category scheme='http://www.blogger.com/atom/ns#' term='Oddities and Obscurities'/><title type='text'>Ever Dream This Man? (2009)</title><content type='html'>&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_S-mrQSvBJQk/S59_X1xq2fI/AAAAAAAABXY/MM5fdvi8lJk/s1600-h/thisman.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/_S-mrQSvBJQk/S59_X1xq2fI/AAAAAAAABXY/MM5fdvi8lJk/s400/thisman.jpg" width="340" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;&lt;i&gt;Have you ever dreamed of this man?&lt;/i&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;blockquote&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;i&gt;"In January 2006 in New York, the patient of a well-known psychiatrist draws the face of a man that has been repeatedly appearing in her dreams. In more than one occasion that man has given her advice on her private life. The woman swears she has never met the man in her life.&lt;br /&gt;&lt;br /&gt;That portrait lies forgotten on the psychiatrist's desk for a few days until one day another patient recognizes that face and says that the man has often visited him in his dreams. He also claims he has never seen that man in his waking life.&lt;br /&gt;&lt;br /&gt;The psychiatrist decides to send the portrait to some of his colleagues that have patients with recurrent dreams. Within a few months, four patients recognize the man as a frequent presence in their own dreams. All the patients refer to him as &lt;b&gt;THIS MAN&lt;/b&gt;."&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;This would make a great story. And I wish I would have thought of it.&lt;br /&gt;&lt;br /&gt;But I didn't. &lt;br /&gt;&lt;br /&gt;And calling it a hoax is too strong of a word, and also a disservice. Instead, I like to imagine THIS MAN as &lt;b&gt;&lt;i&gt;viral-mythology&lt;/i&gt;&lt;/b&gt;, where story-telling and story-tellers are open source, and everyone can be part of this modern Homeric Odyssey with a few keystrokes.&lt;br /&gt;&lt;br /&gt;The website itself offers some &lt;a href="http://www.thisman.org/theories.htm"&gt;interesting theories&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Visit: &lt;a href="http://www.thisman.org/"&gt;http://www.thisman.org&lt;/a&gt; for more information.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-4583476785835332271?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/4583476785835332271/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/ever-dream-this-man-2009.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4583476785835332271'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4583476785835332271'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/ever-dream-this-man-2009.html' title='Ever Dream This Man? (2009)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_S-mrQSvBJQk/S59_X1xq2fI/AAAAAAAABXY/MM5fdvi8lJk/s72-c/thisman.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-674334544782061584</id><published>2010-03-17T08:24:00.003-04:00</published><updated>2010-03-17T08:27:51.521-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Acoustic Kitty</title><content type='html'>&lt;div class="posterous_autopost" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;span style="font-size: small;"&gt;&lt;b&gt;Acoustic Kitty&lt;/b&gt; was a &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/CIA" title="CIA"&gt;CIA&lt;/a&gt; project launched by the &lt;a href="http://en.wikipedia.org/wiki/Central_Intelligence_Agency_Directorate_of_Science_%26_Technology" title="Central Intelligence Agency Directorate of Science &amp;amp; Technology"&gt;Directorate of Science &amp;amp; Technology&lt;/a&gt; in the 1960s attempting to use &lt;a href="http://en.wikipedia.org/wiki/Cat" title="Cat"&gt;cats&lt;/a&gt; in spy missions. A battery and a microphone were implanted into a cat and an antenna into its tail. Due to problems with distraction, the cat's sense of hunger had to be addressed in another operation. Surgical and training expenses are thought to have amounted to over $20 million.&lt;/span&gt; &lt;/blockquote&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;span style="font-size: small;"&gt;The first cat mission was eavesdropping on two men in a park outside the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Embassy_of_Russia_in_Washington" title="Embassy of Russia in Washington"&gt;Soviet compound&lt;/a&gt; on &lt;a href="http://en.wikipedia.org/wiki/Wisconsin_Avenue" title="Wisconsin Avenue"&gt;Wisconsin Avenue&lt;/a&gt; in &lt;a href="http://en.wikipedia.org/wiki/Washington,_D.C." title="Washington, D.C."&gt;Washington, D.C.&lt;/a&gt; The cat was released nearby, but was hit and killed by a taxi almost immediately. Shortly thereafter the project was considered a failure and declared to be a total loss.&lt;/span&gt;&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;&lt;span style="font-size: small;"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Acoustic_Kitty"&gt;en.wikipedia.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/acoustic-kitty-1"&gt;some interesting wikipedia articles...&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Starting this week, the random / interesting wikipedia entries that I irregularly post are gonna be posted every Wednesday, part of what I'm calling: "Wikipedia Wednesday".&lt;br /&gt;&lt;br /&gt;These Wikipedia entries are also mirrored on their own blog which you can visit at: &lt;a href="http://wikipedia.posterous.com/"&gt;http://wikipedia.posterous.com&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Also, feel free to &lt;/span&gt;&lt;span class="text"&gt;&lt;a href="mailto:ryan.catcher@gmail.com"&gt;email me&lt;/a&gt;&lt;span style="font-size: small;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;interesting wikipedias. I will be sure to credit you.&amp;nbsp; &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-674334544782061584?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/674334544782061584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/acoustic-kitty.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/674334544782061584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/674334544782061584'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/acoustic-kitty.html' title='Acoustic Kitty'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-4779795914565045944</id><published>2010-03-16T10:20:00.007-04:00</published><updated>2010-03-22T16:13:23.967-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='YouTube'/><title type='text'>Carol - So Low (1981)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/TKyWthAUBt4&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x006699&amp;color2=0x54abd6"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/TKyWthAUBt4&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0x006699&amp;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="background-color: white; text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;&lt;a href="http://www.mediafire.com/?ennixmnwnjy"&gt;Download&lt;/a&gt;: &lt;a href="http://www.discogs.com/Carol-Breakdown/release/218128"&gt;Carol - So Low&lt;/a&gt; (1981) via &lt;a href="http://www.mediafire.com/?ennixmnwnjy" style="background-color: #f3f3f3;"&gt;Mediafire&lt;/a&gt;&lt;span style="background-color: #f3f3f3;"&gt; &lt;/span&gt;(128kps)&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: white; text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: white; text-align: justify;"&gt;This is one of those incredibly sad, but in a way uplifting songs that I can't help but love. I like to imagine it as an update to &lt;a href="http://www.youtube.com/watch?v=WUSYb3igXzI"&gt;Petula Clark's Downtown&lt;/a&gt;, except instead of New York, it takes place in Suburban Virginia circa the Regan Eighties&amp;nbsp; and instead of the city lifting your spirits, it's the suburbs tearing your heart out.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="background-color: white; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="background-color: white; text-align: justify;"&gt;Just imagine a wealthy 17 year old girl with a bowl cut smoking her mother's cigarettes at a tennis court in February. Yeah. It's kinda like that.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-4779795914565045944?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/4779795914565045944/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/carol-so-low-1981.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4779795914565045944'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4779795914565045944'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/carol-so-low-1981.html' title='Carol - So Low (1981)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-6843704964667132828</id><published>2010-03-15T11:46:00.003-04:00</published><updated>2010-03-15T23:24:02.561-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Literature and Language'/><category scheme='http://www.blogger.com/atom/ns#' term='Ryo Hanmura'/><category scheme='http://www.blogger.com/atom/ns#' term='Japanese'/><title type='text'>Ryō Hanmura - Cardboard Box (1974)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_S-mrQSvBJQk/S50E_zxxS7I/AAAAAAAABUU/kxP9_6GkaRA/s1600-h/20060316packingbox.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="283" src="http://3.bp.blogspot.com/_S-mrQSvBJQk/S50E_zxxS7I/AAAAAAAABUU/kxP9_6GkaRA/s320/20060316packingbox.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;“Contemplated in allegory is the fate of ordinary working people.”&lt;/i&gt;&lt;/span&gt; &lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;A box is for putting things in. It is in having things put into them that boxes find pleasure in life. When things are packed in lightly, a box's body can shiver with insurmountable gratification.&lt;br /&gt;&lt;br /&gt;Yet people make boxes just to put tangerines in, and once that duty is finished, even if a box can still be used, they abandon it without a care.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;/blockquote&gt;I really really dug this story. And it was so good, I didn't read any of the other stories in &lt;a href="http://www.amazon.com/Best-Japanese-Science-Fiction-Stories/dp/156980124X"&gt;this collection&lt;/a&gt; for fear that they might even be better than Cardboard Box. I don't know why, I just sometimes do stuff like that. &lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Read / Download: &lt;a href="http://www.mediafire.com/?mlzntmqlzmz"&gt;Ryō Hanmura - Cardboard Box (1974)&lt;/a&gt; from &lt;a href="http://www.amazon.com/Best-Japanese-Science-Fiction-Stories/dp/156980124X"&gt;The Best Japanese Science Fiction Stories&lt;/a&gt; (1989?)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-6843704964667132828?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/6843704964667132828/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/ryo-hanmura-cardboard-box-1974.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6843704964667132828'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6843704964667132828'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/ryo-hanmura-cardboard-box-1974.html' title='Ryō Hanmura - Cardboard Box (1974)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_S-mrQSvBJQk/S50E_zxxS7I/AAAAAAAABUU/kxP9_6GkaRA/s72-c/20060316packingbox.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-2124524035804524492</id><published>2010-03-14T11:24:00.009-04:00</published><updated>2010-03-16T22:59:08.396-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Homosexuality'/><category scheme='http://www.blogger.com/atom/ns#' term='Literature and Language'/><category scheme='http://www.blogger.com/atom/ns#' term='Walt Whitman'/><title type='text'>UPDATE: Walt Whitman and Anachronistic Homosexuality</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5sps-oATiI/AAAAAAAABRQ/JLUJ1KSzC5U/s1600-h/WaltWhitman.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5sps-oATiI/AAAAAAAABRQ/JLUJ1KSzC5U/s400/WaltWhitman.gif" width="283" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div style="text-align: justify;"&gt;"To find satisfactory language with which to discuss Whitman's love poetry is difficult: one would like to avoid both the squeamishness of euphemisms and the inaccuracy of anachronism. In "Whitman's 'Live Oak with Moss'" (an essay reproduced on this site) Alan Helms talks about Whitman as a man who had "come out as America's first self-identified 'homosexual.'" He then suggests that we ought to "at last begin where Whitman himself began," implying that he will be sensitive to Whitman's historical context. Although Helms puts the term homosexual in quotation marks, suggesting that he uses the word advisedly, he doesn't explicitly talk about the paradox (not to say anachronistic impossibility) of Whitman becoming a "self-identified 'homosexual'" a decade before the word homosexual was coined by the German-Hungarian journalist Karl Maria Kertbeny in a letter written to the sexologist Karl Heinrich Ulrichs. (The earliest known usage of homosexual in a U.S. text was in the Chicago Medical Recorder, May 1892). Nor does Helms comment on the problems of thinking of "coming out" as a transhistorical phenomenon and not as something that is very much culturally and temporally conditioned. In many ways Whitman's culture was not like that of the modern day U.S. His culture was far more accepting of open displays of same-sex affection. Moreover, male-male love, though not encouraged, had not been pathologized as it would be later in the nineteenth century." &lt;/div&gt;&lt;/blockquote&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;&amp;nbsp;From the &lt;a href="http://www.classroomelectric.org/volume3/price/lowm.php?inc=introduction"&gt;Introduction&lt;/a&gt; to: &lt;a href="http://www.classroomelectric.org/volume3/price/index.html"&gt;Sex, Politics and "Live Oak, With Moss"&lt;/a&gt; by &lt;a href="http://www.unl.edu/Price/"&gt;Kenneth M Price, Ph.D&lt;/a&gt; (2001?)&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;Edit: I forgot to add that I really want to read &lt;a href="http://www.amazon.com/Love-Stories-between-before-Homosexuality/dp/0226426165"&gt;this book&lt;/a&gt;. And that earlier when I linked to &lt;a href="http://ryancatcher.blogspot.com/2010/03/parachronism.html"&gt;Parachronism&lt;/a&gt;, I had this topic in mind, because although the term Homosexual and Homosexuality are indeed anachronisms when dealing with Walt Whitman's &lt;a href="http://en.wikipedia.org/wiki/Calamus_%28poem%29"&gt;Calamus&lt;/a&gt; and Live Oak Moss and most likely Whitman himself, I believe this is only the case in word alone. In actuality, homosexuality, or rather the acceptable and/or tolerated relationships between men in the 19th century are actually Parachronisms that concurrently &lt;/span&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;vanished &lt;/span&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt; with the rise of Freud and the rise of the ego and the boxing in and sectioning off of gender and sexuality. I can't help but think that this is no coincidence. It seems that (although I haven't done research) discrimination based on sexuality is sadly the result neologisms. :(&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-2124524035804524492?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/2124524035804524492/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/walt-whitman-and-anachronistic.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2124524035804524492'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2124524035804524492'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/walt-whitman-and-anachronistic.html' title='UPDATE: Walt Whitman and Anachronistic Homosexuality'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_S-mrQSvBJQk/S5sps-oATiI/AAAAAAAABRQ/JLUJ1KSzC5U/s72-c/WaltWhitman.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-5526577722747852022</id><published>2010-03-12T09:08:00.001-05:00</published><updated>2010-03-17T08:28:47.028-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Pogrom</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;A &lt;b&gt;pogrom&lt;/b&gt; is a form of &lt;a href="http://en.wikipedia.org/wiki/Riot" title="Riot"&gt;riot&lt;/a&gt; directed against a particular group, whether ethnic, religious, or other, and characterized by killings and destruction of their homes, businesses, and religious centers. The term was originally used to denote extensive &lt;a href="http://en.wikipedia.org/wiki/Violence" title="Violence"&gt;violence&lt;/a&gt; against &lt;a href="http://en.wikipedia.org/wiki/Jew" title="Jew" class="mw-redirect"&gt;Jews&lt;/a&gt; – either spontaneous or premeditated – but in English it is also applied to similar incidents against other minority groups.&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Pogrom"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/pogrom"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-5526577722747852022?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/5526577722747852022/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/pogrom.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5526577722747852022'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/5526577722747852022'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/pogrom.html' title='Pogrom'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-8111094303970441151</id><published>2010-03-11T09:08:00.001-05:00</published><updated>2010-03-11T09:09:39.085-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Space'/><category scheme='http://www.blogger.com/atom/ns#' term='Star Trek'/><category scheme='http://www.blogger.com/atom/ns#' term='Weird Science'/><title type='text'>Warp Speed Will Kill You by Jeremy Hsu (2010)</title><content type='html'>&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5jkZR_Bm6I/AAAAAAAABP4/BfNYNVbuAkc/s1600-h/warpspeedwillkillyou.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="215" src="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5jkZR_Bm6I/AAAAAAAABP4/BfNYNVbuAkc/s400/warpspeedwillkillyou.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&amp;nbsp; &lt;span style="font-size: small;"&gt;&lt;span style="font-size: x-small;"&gt;Spock (&lt;a href="http://en.wikipedia.org/wiki/Leonard_Nimoy"&gt;Leonard Nimoy&lt;/a&gt;) and Captain James T. Kirk (&lt;a href="http://en.wikipedia.org/wiki/William_Shatner"&gt;William Shatner&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: xx-small;"&gt;(&lt;a href="http://www.space.com/businesstechnology/warp-speed-kills-100308.html"&gt;Originally Posted on Space.com&lt;/a&gt;) &lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Captain Kirk might want to avoid taking the starship Enterprise to warp speed, unless he's ready to shrug off interstellar hydrogen atoms that would deliver a lethal radiation blast to both ship and crew.&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;There are just two hydrogen atoms per cubic centimeter on average in space, which poses no threat to spaceships traveling at low speeds. But those same lone atoms would transform into deadly galactic space mines for a spaceship that runs into them at &lt;a href="http://www.space.com/businesstechnology/090506-tw-warp-drive.html"&gt;near-light speed&lt;/a&gt;, according to calculations based on Einstein's special theory of relativity.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;The original crew of "Star Trek" featured as unfortunate examples at a presentation by William Edelstein, a physicist at Johns Hopkins University, at the American Physical Society conference in Washington, D.C. on Feb. 13. The physicist showed a video clip of Kirk telling engineer Scotty to go to &lt;a href="http://www.space.com/common/media/video/player.php?videoRef=SP_090505_mark_millis"&gt;warp speed&lt;/a&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="float: left; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; margin: 0pt 20px 0pt 0pt; text-align: justify; width: 225px;"&gt;&lt;span style="font-size: small;"&gt; &lt;script type="text/javascript"&gt;&lt;!--        if(typeof(google_adnum)=='undefined'){                var google_adnum = 0;        }        function google_ad_request_done(google_ads){                var s = '';                var i;                if(google_ads.length == 0){                                                return;                }                if(google_ads[0].type == "flash"){                        s += '&lt;a href="\" ' +                        google_info.feedback_url + '\" style="color:000000" &gt;Ads by Google&lt;/a&gt;' +                        '&lt;img src="http://www.blogger.com/img/object_element.gif" class="BLOGGER-object-element tr_noresize tr_placeholder" id="BLOGGER_object_39" data-original-id="BLOGGER_object_39" /&gt;'; 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font-size:12px;"&gt; &lt;span style="color:#000000" &gt;' +                                                        google_ads[i].line2 + ' ' +                                                        google_ads[i].line3 + '&lt;/span&gt; &lt;div style="width:220px; float:left;"&gt;&lt;a style="color:#888888;text-decoration:none;"  target="_blank" href="' +                                                        google_ads[i].url + '" onmouseout="window.status=\'\'" onmouseover="window.status=\'go to ' +                                                        google_ads[i].visible_url + '\';return true"&gt;&lt;span&gt;' +                                                        google_ads[i].visible_url + '&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;';                                }                                s += '&lt;/div&gt;'                                if (google_ads[0].bidtype == "CPC") {                                        google_adnum = google_adnum + google_ads.length;                                }                        }                }                document.write(s);                return;        }--&gt;&lt;/script&gt;  &lt;script type="text/javascript"&gt; &lt;!--        google_ad_client = 'pub-1894578950532504';        google_ad_output = 'js';        google_max_num_ads = '3';        google_ad_type = 'text_html';        google_feedback = 'on';        google_skip = google_adnum;--&gt;&lt;/script&gt; &lt;script src="http://pagead2.googlesyndication.com/pagead/show_ads.js"&gt;&lt;/script&gt;     &lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;"Well, they're all dead," Edelstein recalled saying. His words caused a stir among the audience.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Edelstein's personal interest in this thought experiment began 20 years ago, when his son Arthur asked him if there was friction in space. The father responded that yes, there would be hydrogen bumping off a spaceship. But he soon realized that the stray atoms of hydrogen gas would actually go right through the ship traveling close to light speed, and irradiate both crew and electronics in the process.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;More recently, the physicist and his now-grown son calculated the scenario of a spaceship trying to travel halfway across our Milky Way galaxy in just 10 years. That's doable in theory, because special relativity states that time slows down and distances shrink for travelers approaching light speed.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Edelstein's work showed that a starship traveling at just 99 percent of the speed of light would get a radiation dose from hydrogen of 61 sieverts per second, when just one tenth of that number of sieverts would deliver a fatal dose for humans. And that's not even the 99.999998 percent of light-speed necessary to make the journey to the center of the Milky Way in 10 years&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;At the higher speed, the human crew of a starship would experience something like getting struck by the high-energy proton beam from the &lt;a href="http://www.livescience.com/technology/090128-lhc-black-holes.html"&gt;Large Hadron Collider&lt;/a&gt; particle accelerator at CERN in Geneva, Switzerland. On top of killing the crew, such powerful levels of energy would also likely destroy the starship electronics.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;"I'm not claiming this is a brilliant new discovery or anything," Edelstein told &lt;i&gt;SPACE.com&lt;/i&gt;. "I'm just saying that it's interesting."&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;Some audience members at the American Physical Society event protested that Kirk, Spock and the &lt;a href="http://www.space.com/technology/top10-star-trek-tech.html"&gt;"Star Trek" crew&lt;/a&gt; would all still live because of the starship Enterprise having shields. But Edelstein noted some of the existing difficulties with creating an electromagnetic shield with any resemblance to "Star Trek" technology.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Solid shields seem even more hopeless. A starship might need anywhere from a 4.4 -meter to 4,400-meter thickness of lead shielding to deflect the hydrogen radiation — added mass that would make travel at near-light speed even more impractical.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;The physicist concluded by suggesting that extraterrestrials might not have visited Earth because of all the problems in traveling at near-light speeds, including how to deal with deadly hydrogen space mines. But for the record, he does believe that alien life exists.&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;"Getting between stars is a huge problem unless we think of something really, really different," Edelstein said. "I'm not saying that we know everything and that it's impossible. I'm saying it's kind of impossible based on what we know right now."&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;from: &lt;a href="http://www.space.com/businesstechnology/warp-speed-kills-100308.html"&gt;Ward Speed Will Kill You&lt;/a&gt; (March 2010) by &lt;a href="http://twitter.com/ScienceHsu"&gt;Jeremy Hsu&lt;/a&gt; via &lt;a href="http://www.space.com/"&gt;Space.com&lt;/a&gt;. &lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-8111094303970441151?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/8111094303970441151/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/warp-speed-will-kill-you-by-jeremy-hsu.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8111094303970441151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8111094303970441151'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/warp-speed-will-kill-you-by-jeremy-hsu.html' title='Warp Speed Will Kill You by Jeremy Hsu (2010)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_S-mrQSvBJQk/S5jkZR_Bm6I/AAAAAAAABP4/BfNYNVbuAkc/s72-c/warpspeedwillkillyou.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-3997598302802268625</id><published>2010-03-10T08:31:00.004-05:00</published><updated>2010-03-13T01:08:28.569-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Comics'/><category scheme='http://www.blogger.com/atom/ns#' term='Movies'/><category scheme='http://www.blogger.com/atom/ns#' term='Feminism'/><title type='text'>The Bechdel Rule (1985)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_S-mrQSvBJQk/S5cc7UFhz_I/AAAAAAAABPw/5KAg-e0W50A/s1600-h/Alison+Bechdel+-+The+Rule+%281985%29.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_S-mrQSvBJQk/S5cc7UFhz_I/AAAAAAAABPw/5KAg-e0W50A/s400/Alison+Bechdel+-+The+Rule+%281985%29.jpg" width="296" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: x-small;"&gt;&amp;nbsp;("&lt;a href="http://dykestowatchoutfor.com/the-rule"&gt;The Rule&lt;/a&gt;" by &lt;a href="http://dykestowatchoutfor.com/about"&gt;Alison Bechdel&lt;/a&gt;, from &lt;a href="http://dykestowatchoutfor.com/dtwof"&gt;Dykes to Watch Out For&lt;/a&gt;,&amp;nbsp; 1985.)&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;In 1985, &lt;a href="http://dykestowatchoutfor.com/about"&gt;Alison Bechdel&lt;/a&gt; wrote "&lt;a href="http://dykestowatchoutfor.com/the-rule"&gt;The Rule&lt;/a&gt;*" (above) as part of her ongoing strip &lt;a href="http://dykestowatchoutfor.com/dtwof"&gt;Dykes to Watch Out For&lt;/a&gt;. Since then it has become a sort of litmus test concerning the portrayal of women not only in movies, but in other media as well.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;To satisfy the rule, a work must:&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;1. Have at least two females characters...&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;2. Who talk to each-other...&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;3. About something other then men (or about a man in particular)...&lt;a name='more'&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: small;"&gt;The Rule doesn't aim to check for feminine or feminists values, but instead checks to see that women are represented as living breathing human beings and not idealized stewards of masculinity or hyper-real caricatures or stereotypes. Because of this, even works with feminist intent might fall sort of satisfying the Bechdel Rule, and like-wise works traditionally not associated with feminism could qualify / satisfy the Bechdel Rule.&lt;br /&gt;&lt;br /&gt;Interestingly enough, either by design or perhaps by coincidence, Bechdel's &lt;a href="http://www.amazon.com/Essential-Dykes-Watch-Out/dp/0618968806"&gt;Dykes to Watch Out For&lt;/a&gt;, a slice of slice comic strip concerning the lives and trials of women perfectly encapsulates the Bechdel Rule.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;Remarkably (or perhaps not) this rule is still relevant 25 years later, and there's even a blog dedicated to screening recent films to see if they pass "&lt;a href="http://thebechdeltest.blogspot.com/"&gt;The Bechdel Test&lt;/a&gt;**".&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;&lt;span style="font-size: xx-small;"&gt;* I don't have any information about her, but Bechdel credits the rule to her friend Liz Wallace.&amp;nbsp;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;&lt;span style="font-size: xx-small;"&gt;**The Bechdel Rule is also sometimes refereed to as The Bechdel Test or The Bechdel-Wallace Test.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-3997598302802268625?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/3997598302802268625/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/bechdel-rule-1985.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3997598302802268625'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3997598302802268625'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/bechdel-rule-1985.html' title='The Bechdel Rule (1985)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_S-mrQSvBJQk/S5cc7UFhz_I/AAAAAAAABPw/5KAg-e0W50A/s72-c/Alison+Bechdel+-+The+Rule+%281985%29.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-1124868210096271859</id><published>2010-03-09T22:36:00.001-05:00</published><updated>2010-03-17T08:28:55.870-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Darwin among the Machines</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;"&lt;b&gt;Darwin among the Machines&lt;/b&gt;" appeared as the heading of an article published in &lt;i&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Press" title="The Press"&gt;The Press&lt;/a&gt;&lt;/i&gt; newspaper on 13 June 1863 in &lt;a href="http://en.wikipedia.org/wiki/Christchurch" title="Christchurch"&gt;Christchurch&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/New_Zealand" title="New Zealand"&gt;New Zealand&lt;/a&gt;. Signed &lt;a href="http://en.wikipedia.org/wiki/Cellarius" title="Cellarius"&gt;Cellarius&lt;/a&gt; but written by &lt;a href="http://en.wikipedia.org/wiki/Samuel_Butler_%28novelist%29" title="Samuel Butler (novelist)"&gt;Samuel Butler&lt;/a&gt;, the article raised the possibility that machines could &lt;a href="http://en.wikipedia.org/wiki/Evolution" title="Evolution"&gt;evolve&lt;/a&gt; "&lt;a href="http://en.wikipedia.org/wiki/Machine" title="Machine"&gt;mechanical&lt;/a&gt; &lt;a href="http://en.wikipedia.org/wiki/Consciousness" title="Consciousness"&gt;consciousness&lt;/a&gt;" by means of &lt;a href="http://en.wikipedia.org/wiki/Darwinian" title="Darwinian" class="mw-redirect"&gt;Darwinian&lt;/a&gt; &lt;a href="http://en.wikipedia.org/wiki/Natural_selection" title="Natural selection"&gt;natural selection&lt;/a&gt;.&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Darwin_among_the_Machines"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/darwin-among-the-machines"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-1124868210096271859?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/1124868210096271859/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/darwin-among-machines.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1124868210096271859'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/1124868210096271859'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/darwin-among-machines.html' title='Darwin among the Machines'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-3722543079905990446</id><published>2010-03-09T11:36:00.002-05:00</published><updated>2010-03-21T23:05:22.645-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Oddities and Obscurities'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>AQUAAEROBIKA (Moscow)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Y7qx4L7PI/AAAAAAAABPo/AsWTP0f7ysI/s1600-h/AQUAAEROBIKA.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Y7qx4L7PI/AAAAAAAABPo/AsWTP0f7ysI/s400/AQUAAEROBIKA.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;&amp;nbsp;(&lt;a href="http://www.myspace.com/aquaaerobika"&gt;AquaAerobika&lt;/a&gt; by &lt;a href="http://www.flickr.com/photos/katya_bryskina"&gt;Katya Bryskina&lt;/a&gt;, Date Unknown - 2009?)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://www.myspace.com/aquaaerobika%20"&gt;"Aquaaerobika&lt;/a&gt; is a project synthesizing art-performance and electronic music. It's founder is Moscow based artist - &lt;a href="http://someoneimet.wordpress.com/2009/07/30/sasha-frolova/"&gt;Sasha Frolova&lt;/a&gt;. She presents herself in the show in animated style image of silicone blonde, universal superwoman from the future with ultra-abilities. The plot of the show is endless computer game in which the main character travels through parallel worlds of future and talks about it's feelings, dreams, love and hope of finding it. Electro-pop, 8bit, disco-house and avant-garde sometimes quite abstract texts are mixed with a vivid spectacular performance based on images of postmodernism."&lt;/span&gt;&lt;/blockquote&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: x-small;"&gt;via myspace: &lt;a href="http://www.myspace.com/aquaaerobika"&gt;http://www.myspace.com/aquaaerobika &lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-3722543079905990446?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/3722543079905990446/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/aquaaerobika-moscow.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3722543079905990446'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3722543079905990446'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/aquaaerobika-moscow.html' title='AQUAAEROBIKA (Moscow)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Y7qx4L7PI/AAAAAAAABPo/AsWTP0f7ysI/s72-c/AQUAAEROBIKA.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-285568073928770607</id><published>2010-03-08T11:30:00.002-05:00</published><updated>2010-03-21T23:05:22.648-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Vincent Gallo'/><category scheme='http://www.blogger.com/atom/ns#' term='Oddities and Obscurities'/><title type='text'>VINCENT GALLO: evenings, weekends escort. $50,000.00</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5QktYT38DI/AAAAAAAABO8/VZBhLS2FUjE/s1600-h/Vincent+Gallo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5QktYT38DI/AAAAAAAABO8/VZBhLS2FUjE/s400/Vincent+Gallo.jpg" width="261" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: x-small;"&gt;(&lt;a href="http://en.wikipedia.org/wiki/Vincent_Gallo"&gt;Vincent Gallo&lt;/a&gt;, Photographer and Year Unknown)&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;span class="bodyCopy" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;span class="smallblack"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;"I, &lt;a href="http://www.vincentgallo.com/"&gt;Vincent Gallo&lt;/a&gt;, star of such classics as &lt;a href="http://www.blogger.com/goog_1268000386046"&gt;               &lt;/a&gt;&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Buffalo_%E2%80%9966"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-style: italic;"&gt;Buffalo 66&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; and &lt;a href="http://www.blogger.com/goog_1268000386050"&gt;               &lt;/a&gt;&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Brown_Bunny"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-style: italic;"&gt;The            Brown Bunny&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; have decided to make myself available to all women.            All women who can afford me, that is. For the modest fee of $50,000            plus expenses, I can fulfill the wish, dream, or fantasy of any naturally            born female. The fee covers one evening with Vincent Gallo. For those            who wish to enjoy my company for a weekend, the fee is increased to            a mere $100,000. Heavy set, older, red heads and even black chicks can            have me if they can pay the bill. No real female will be refused. However,            I highly frown upon any male having even the slightest momentary thought            or wish that they could ever become my client. No way Jose. However,            female couples of the lesbian persuasion can enjoy a Vincent Gallo evening            together for $100,000. $200,000 buys the lesbos a weekend. A weekend            that will have them second-guessing."&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span class="bodyCopy" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;span class="smallblack"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span class="bodyCopy" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="color: black; font-size: 10pt;"&gt;&lt;span class="smallblack"&gt;"I am willing to travel worldwide to accommodate clients. However, travel            days are billed at $50,000 per plus all premium flight fees. Scanning            for STD's is required as is bathing and grooming prior to our encounter.            Detailed photos of potential clients also required prior. An extra fee            for security to protect me is charged on top of the fantasy fee. Security            fees will vary depending on the details of an encounter and how much            security I will need."&lt;br /&gt;&lt;br /&gt;"Potential clients are advised to screen the controversial scene from                           &lt;span style="font-style: italic;"&gt;The Brown Bunny&lt;/span&gt; to be sure for themselves that they can fully            accommodate all of me. Clients who have doubt may want to test themselves            with an unusually thick and large prosthetic prior to meeting me. You            may be surprised just how much you can handle and how good it feels&lt;/span&gt;.&lt;/span&gt;&lt;/span&gt;"&lt;/blockquote&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif; font-size: small;"&gt;via: &lt;a href="http://www.vgmerchandise.com/store/home.php"&gt;Vincent Gallo Merchandise&lt;/a&gt;, &lt;a href="http://www.vgmerchandise.com/store/pages.php?pageid=4"&gt;Personal Services&lt;/a&gt;.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-285568073928770607?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/285568073928770607/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/vincent-gallo-evenings-weekends-escort.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/285568073928770607'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/285568073928770607'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/vincent-gallo-evenings-weekends-escort.html' title='VINCENT GALLO: evenings, weekends escort. $50,000.00'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_S-mrQSvBJQk/S5QktYT38DI/AAAAAAAABO8/VZBhLS2FUjE/s72-c/Vincent+Gallo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-3590332317989880016</id><published>2010-03-07T16:50:00.001-05:00</published><updated>2010-03-07T20:44:42.397-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Andy Warhol'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>Andy Warhol - Hammer and Sickles (1977) via Warhol Stars</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Qf0aT_kJI/AAAAAAAABOU/muN9PaQPBcE/s1600-h/Andy+Warhol+-+Hammer+%26+Sickle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="266" src="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Qf0aT_kJI/AAAAAAAABOU/muN9PaQPBcE/s320/Andy+Warhol+-+Hammer+%26+Sickle.jpg" width="320" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: small;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Andy_Warhol"&gt;Andy Warhol&lt;/a&gt; - &lt;a href="http://www.warholstars.org/art/artlx/hamer.html"&gt;Hammer and Sickles&lt;/a&gt; (1977)&lt;/span&gt;&lt;/div&gt;&lt;blockquote style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;"Andy's most successful show in 1977        was of his least obviously commercial series, the &lt;i&gt;Hammer &amp;amp; Sickles&lt;/i&gt;,        at the Daniel Templon Gallery in Paris... The show sold out, despite - or        perhaps because of - the opening's being invaded by three hundred Parisian        punks in leather, rubber, chains, and razors. Templon served raspberry sorbet        and a dry Chablis. The punks used the former to scrawl 'Hate' and 'War'        on the gallery walls and chugged the latter so rapidly that they were soon        vomiting all over the gallery floor. Andy hid out in an inner office, and        when a couple of young nihilists began peeing pink sherbet and white wine        in the vicinity of her bejeweled shoes, Sao Schlumberger coolly said, 'I        think I'd better get going to my dinner at Versailles'. When I told Andy,        still in his hiding place, he laughed a little and then said, as if noting        a new look at the couture collection, 'Pee is getting big, Bob' "&lt;/span&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp; - &lt;a href="http://en.wikipedia.org/wiki/Bob_Colacello"&gt;Bob Colacello&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;The idea for the &lt;/span&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Hammer and Sickle&lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; paintings originated      from a trip to Italy that Andy Warhol took for the opening of his &lt;/span&gt;&lt;a href="http://www.warholprints.com/portfolio/Ladies.Gentlemen.html" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;i&gt;Ladies        and Gentlemen&lt;/i&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; paintings (aka the &lt;/span&gt;&lt;i style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;Drag Queen&lt;/i&gt;&lt;span style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt; series).&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Left wing Italian journalists embraced the &lt;i&gt;Ladies and Gentlemen&lt;/i&gt; series, "writing that Andy Warhol had exposed the cruel racism inherent      in the American capitalist system, which left poor black and Hispanic boys no      choice but to prostitute themselves as transvestites."&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;At the press conference for the &lt;i&gt;Drag Queen&lt;/i&gt; paintings,      a reporter asked Warhol if he was a Communist. Andy asked Bob Colacello who      was also at the press conference if he [Warhol] was a Communist and Bob Colacello      answered, "you just painted Willy Brandt's portrait, but you're trying      to get Imelda Marcos."&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Later at the hotel, Andy said to Bob, "Maybe I should      do real Communist paintings next. They would sell a lot in Italy."&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;According to Andy Warhol's painting assistant, Ronnie Cutrone,      the idea for the &lt;i&gt;Hammer and Sickle&lt;/i&gt; came from the graffiti that Andy      noticed during his trip to Italy. Cutrone searched communist bookstores in New      York for an image they could use, but none of the symbols were appropriate -      too "flat, stenciled". So Ronnie went down to Canal Street and bought      an actual hammer and sickle and photographed them with side lighting to cast      a shadow. Like Andy Warhol's &lt;i&gt;Skull&lt;/i&gt; series, the &lt;i&gt;Hammer and Sickle&lt;/i&gt;      paintings had sponge-mopped backgrounds.&lt;/span&gt;&lt;/div&gt;&lt;div align="justify" style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;Halston's boyfriend, Victor Hugo, was given the original hammer      and sickle, which he had Andy sign, and placed them crisscross under a Plexiglas      box.&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: small;"&gt;from: &lt;a href="http://www.warholstars.org/art/artlx/hamer.html"&gt;Andy Warhol's Hammer and Sickles&lt;/a&gt; via &lt;a href="http://www.warholstars.org/"&gt;Warhol Stars&lt;/a&gt;. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-3590332317989880016?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/3590332317989880016/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/andy-warhol-hammer-and-sickles-1977-via.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3590332317989880016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3590332317989880016'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/andy-warhol-hammer-and-sickles-1977-via.html' title='Andy Warhol - Hammer and Sickles (1977) via Warhol Stars'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Qf0aT_kJI/AAAAAAAABOU/muN9PaQPBcE/s72-c/Andy+Warhol+-+Hammer+%26+Sickle.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-6902251418721524985</id><published>2010-03-07T16:40:00.002-05:00</published><updated>2010-03-17T08:28:55.872-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Danny Casolaro</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;div style="text-align: justify;"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;b&gt;Joseph Daniel Casolaro&lt;/b&gt; (June 16, 1947–August 10, 1991) was an American freelance writer who came to public attention in 1991 when he was found dead in a bathtub in room 517 of the Sheraton Hotel in &lt;a href="http://en.wikipedia.org/wiki/Martinsburg,_West_Virginia" title="Martinsburg, West Virginia"&gt;Martinsburg, West Virginia&lt;/a&gt;, his wrists slashed 10–12 times. A note was found, and the medical examiner ruled the death a suicide.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Danny_Casolaro#cite_note-Ridgeway-0"&gt;[1]&lt;/a&gt;&lt;/sup&gt; &lt;/blockquote&gt;&lt;blockquote class="posterous_long_quote"&gt;His death became controversial because his notes suggested he was in Martinsburg to meet a source about a story he called "the Octopus." This centered around a sprawling &lt;a href="http://en.wikipedia.org/wiki/Conspiracy_theory" title="Conspiracy theory"&gt;conspiracy theory&lt;/a&gt; involving an international cabal, and primarily featuring a number of stories familiar to journalists who worked in and near &lt;a href="http://en.wikipedia.org/wiki/Washington,_D.C." title="Washington, D.C."&gt;Washington, D.C.&lt;/a&gt; in the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/1980%27s" title="1980's"&gt;1980's&lt;/a&gt;—the &lt;a href="http://en.wikipedia.org/wiki/Inslaw" title="Inslaw"&gt;Inslaw&lt;/a&gt; case, about a software manufacturer whose owner accused the Justice Department of stealing its work product; the &lt;a href="http://en.wikipedia.org/wiki/October_surprise_conspiracy_theory" title="October surprise conspiracy theory"&gt;October Surprise&lt;/a&gt; theory that during the &lt;a href="http://en.wikipedia.org/wiki/Iran_hostage_crisis" title="Iran hostage crisis"&gt;Iran hostage crisis&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Iran" title="Iran"&gt;Iran&lt;/a&gt; deliberately held back American hostages to help &lt;a href="http://en.wikipedia.org/wiki/Ronald_Reagan" title="Ronald Reagan"&gt;Ronald Reagan&lt;/a&gt; win the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/1980_presidential_election" title="1980 presidential election"&gt;1980 presidential election&lt;/a&gt;; the collapse of the &lt;a href="http://en.wikipedia.org/wiki/Bank_of_Credit_and_Commerce_International" title="Bank of Credit and Commerce International"&gt;Bank of Credit and Commerce International&lt;/a&gt;; and &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Iran-Contra" title="Iran-Contra"&gt;Iran-Contra&lt;/a&gt;.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Danny_Casolaro#cite_note-1"&gt;[2]&lt;/a&gt;&lt;/sup&gt; &lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;Casolaro's family argued that he had been murdered; Before he left for Martinsburg, he had apparently told his brother that he had been frequently receiving harassing phone calls late at night, some of them threatening; And that if something were to happen to him while in Martinsburg, it would not be an accident. They also cited his well-known &lt;a href="http://en.wikipedia.org/wiki/Squeamishness" title="Squeamishness"&gt;Squeamishness&lt;/a&gt; and fear of &lt;a href="http://en.wikipedia.org/wiki/Blood_test" title="Blood test"&gt;blood tests&lt;/a&gt;, and stated they found it incomprehensible that if he were going to commit suicide, he would do so by cutting his wrists a dozen times &lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Danny_Casolaro#cite_note-LeeAug13-2"&gt;[3]&lt;/a&gt;&lt;/sup&gt; A number of law-enforcement officials also argued that his death deserved further scrutiny, and his notes were passed by his family to ABC News and &lt;i&gt;Time Magazine&lt;/i&gt;, both of which investigated the case, but no evidence of murder was ever found.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Danny_Casolaro#cite_note-report-3"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Danny_Casolaro#cite_note-LeeAug19-4"&gt;[5]&lt;/a&gt;&lt;/sup&gt; Casolaro's death and "the Octopus" have since entered conspiracy-theory folklore.&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Danny_Casolaro"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/danny-casolaro"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-6902251418721524985?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/6902251418721524985/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/danny-casolaro.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6902251418721524985'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6902251418721524985'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/danny-casolaro.html' title='Danny Casolaro'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-7062230913200257293</id><published>2010-03-07T12:10:00.003-05:00</published><updated>2010-03-14T12:48:15.742-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Project Gutenberg'/><title type='text'>The Child's Day (1912) via Project Gutenberg</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.gutenberg.org/files/18559/18559-h/images/figure24.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.gutenberg.org/files/18559/18559-h/images/figure24.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&amp;nbsp;&lt;span style="font-size: x-small;"&gt;(EYES PROTECT THEMSELVES AGAINST THE LIGHT)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;The iris, or color-ring, acts like a curtain, like the ring-shutter of a camera, and closes up the hole, or pupil, when the light is too bright and would dazzle or burn the inside of the eye; but when the light is dim, the iris opens again, so as to let in light enough with which to see. Look at the little window in your kitten’s eyes. It is not the same shape as yours; but when you carry her to the light, you see how the iris closes in and leaves just a little black slit or line.&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;You remember the blind children? Isn’t it wonderful how they can play games and study, too, even though they are blind! They have to make their senses of touch and hearing tell them many things that you learn through your sense of sight. Many of these children need not have been blind, if the nurse who first took care of them when they were born had known enough to wash their eyes properly, not with soap and water, of course, but with just one or two drops of a kind of medicine—an antiseptic, as we call it—that makes the eye perfectly clean.&lt;br /&gt;&lt;br /&gt;But you children who have good eyes that can see, do you really see things when you look at them? You can train your eyes just as you can train your ears. You can teach them to read quickly down a page, and to find things in pictures, and, better still, to see things out of doors, in the garden and the woods and on the seashore. We hear a great deal about “sharp eyes,” but most of us see very little of all we might see. Our eyes are on the lookout, too, to protect us from dangers that may come; with our skin and nose and ears, they are constantly on the watch; so the better we see the safer we are.&lt;br /&gt;Even if your eyes are perfect now, you will need to take good care of them to keep them strong. Don’t let any story, no matter how interesting it is, tempt you to read in a dim light or a light that is too strong. And if you can’t see the blackboard easily, or can’t read big print, like the school calendar, across the room, tell your mother or your teacher, so that she can ask the doctor to find out what the matter is.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size: x-small;"&gt;A snippet from: &lt;a href="http://www.gutenberg.org/files/18559/18559-h/18559-h.htm#Ch_4_3"&gt;THE CHILD’S DAY&lt;/a&gt; by &lt;a href="http://en.wikipedia.org/wiki/Woods_Hutchinson"&gt;WOODS HUTCHINSON&lt;/a&gt; (1912) via &lt;a href="http://www.gutenberg.org/"&gt;Project Gutenberg&lt;/a&gt;. &lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-7062230913200257293?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/7062230913200257293/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/eyes-protect-themselves-against-light.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7062230913200257293'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7062230913200257293'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/eyes-protect-themselves-against-light.html' title='The Child&apos;s Day (1912) via Project Gutenberg'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-6911287086460165319</id><published>2010-03-06T14:56:00.002-05:00</published><updated>2010-03-17T08:28:55.874-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>War Plan Red</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;div style="text-align: justify;"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;b&gt;War Plan Red&lt;/b&gt;, also known as the &lt;b&gt;Atlantic Strategic War Plan&lt;/b&gt;, was a plan for the &lt;a href="http://en.wikipedia.org/wiki/United_States" title="United States"&gt;United States&lt;/a&gt; to make war with &lt;a href="http://en.wikipedia.org/wiki/Great_Britain" title="Great Britain"&gt;Great Britain&lt;/a&gt; (the "Red" forces). It was developed by the &lt;a href="http://en.wikipedia.org/wiki/United_States_Army" title="United States Army"&gt;United States Army&lt;/a&gt; during the mid 1920s, approved in May 1930 by the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Secretary_of_War" title="Secretary of War"&gt;Secretary of War&lt;/a&gt; and the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Secretary_of_Navy" title="Secretary of Navy"&gt;Secretary of Navy&lt;/a&gt;, updated in 1934-35, and officially withdrawn in 1939, following the outbreak of the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Second_World_War" title="Second World War"&gt;Second World War&lt;/a&gt;, when it and others like it were replaced by the five "Rainbow" plans created to deal with the &lt;a href="http://en.wikipedia.org/wiki/Axis_powers" title="Axis powers"&gt;Axis threat&lt;/a&gt;. However, it was not declassified until 1974. &lt;br /&gt;&lt;/blockquote&gt;&lt;blockquote class="posterous_long_quote"&gt;The war was intended to be a continental war, waged primarily on North American territory between the United States and the British Empire. The assumption was that &lt;a href="http://en.wikipedia.org/wiki/Canada" title="Canada"&gt;Canada&lt;/a&gt; would represent the ideal geographic forum through which the United States could wage war against the British.&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/War_Plan_Red"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/war-plan-red-1"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-6911287086460165319?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/6911287086460165319/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/war-plan-red.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6911287086460165319'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6911287086460165319'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/war-plan-red.html' title='War Plan Red'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-8577272522793339829</id><published>2010-03-06T12:32:00.003-05:00</published><updated>2010-03-17T08:28:55.875-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Disumbrationism</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;div style="text-align: justify;"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;b&gt;Disumbrationism&lt;/b&gt; was a &lt;a href="http://en.wikipedia.org/wiki/Hoax" title="Hoax"&gt;hoax&lt;/a&gt; masquerading as an &lt;a href="http://en.wikipedia.org/wiki/Art_movement" title="Art movement"&gt;art movement&lt;/a&gt; that was launched in 1924 by &lt;a href="http://en.wikipedia.org/wiki/Paul_Jordan-Smith" title="Paul Jordan-Smith"&gt;Paul Jordan-Smith&lt;/a&gt;, a &lt;a href="http://en.wikipedia.org/wiki/Novel" title="Novel"&gt;novelist&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Latin" title="Latin"&gt;Latin&lt;/a&gt; scholar, and authority on &lt;a href="http://en.wikipedia.org/wiki/Robert_Burton_%28scholar%29" title="Robert Burton (scholar)"&gt;Robert Burton&lt;/a&gt; from &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Los_Angeles,_California" title="Los Angeles, California"&gt;Los Angeles, California&lt;/a&gt;. &lt;/blockquote&gt;&lt;blockquote class="posterous_long_quote"&gt;Annoyed at the cold reception his wife's &lt;a href="http://en.wikipedia.org/wiki/Realism_%28visual_arts%29" title="Realism (visual arts)"&gt;realistic&lt;/a&gt; &lt;a href="http://en.wikipedia.org/wiki/Still_life" title="Still life"&gt;still lifes&lt;/a&gt; had received from an art exhibition jury, Jordan-Smith sought revenge by styling himself as "&lt;i&gt;Pavel Jerdanowitch&lt;/i&gt;" (&lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Cyrillic" title="Cyrillic"&gt;Cyrillic&lt;/a&gt;: Па́вел Йердaновић), a variation on his own name, and entering a blurry, badly painted picture of a &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Pacific_islands" title="Pacific islands"&gt;Pacific islander&lt;/a&gt; woman brandishing a banana skin, under the title "Exaltation". He made a suitably dark and brooding photograph of himself as Jerdanowitch, and submitted the work to the same group of critics as representative of the new school, "Disumbrationism." He explained "Exaltation" as a symbol of "breaking the shackles of womanhood."&lt;a class="external autonumber" href="http://www.museumofhoaxes.com/hoax/archive/permalink/the_disumbrationist_school_of_art/" rel="nofollow"&gt;[1]&lt;/a&gt; To his dismay, if not to his surprise, the Disumbrationist daub won praise from the critics who had belittled his wife's realistic painting.&lt;/blockquote&gt;&lt;blockquote class="posterous_long_quote"&gt;More Disumbrationist paintings followed: a composition of zig-zag lines and eyeballs he called "Illumination"; a garish picture of a black woman doing laundry which he called "Aspiration", and which a critic praised as "a delightful jumble of &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Gauguin" title="Gauguin"&gt;Gauguin&lt;/a&gt;, Pop Hart and &lt;a href="http://en.wikipedia.org/wiki/Negro" title="Negro"&gt;Negro&lt;/a&gt; &lt;a href="http://en.wikipedia.org/wiki/Minstrel" title="Minstrel"&gt;minstrelsy&lt;/a&gt;, with a lot of Jerdanowitch individuality." "Gination" was an ugly, lopsided &lt;a href="http://en.wikipedia.org/wiki/Portrait" title="Portrait"&gt;portrait&lt;/a&gt;; and a painting named "Adoration", of a woman worshipping an immense phallic idol, was exhibited in 1927.&lt;/blockquote&gt;&lt;blockquote class="posterous_long_quote"&gt;The same year, Jordan-Smith confessed to the &lt;i&gt;&lt;a href="http://en.wikipedia.org/wiki/Los_Angeles_Times" title="Los Angeles Times"&gt;Los Angeles Times&lt;/a&gt;&lt;/i&gt; that the Disumbrationist paintings were meant as a &lt;a href="http://en.wikipedia.org/wiki/Parody" title="Parody"&gt;spoof&lt;/a&gt;.&lt;/blockquote&gt;&lt;/div&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Disumbrationism"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/disumbrationism"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-8577272522793339829?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/8577272522793339829/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/disumbrationism.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8577272522793339829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8577272522793339829'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/disumbrationism.html' title='Disumbrationism'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-8128577421536826126</id><published>2010-03-06T12:09:00.003-05:00</published><updated>2010-03-06T15:14:09.339-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Comics'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>Superman #1 As Designed by Tom Muller</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5KBsAd0uxI/AAAAAAAABN8/ZIOOmrUiXIU/s1600-h/superman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5KBsAd0uxI/AAAAAAAABN8/ZIOOmrUiXIU/s640/superman.jpg" width="416" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;(&lt;a href="http://freakangels.com/whitechapel/comments.php?DiscussionID=7801&amp;amp;page=1"&gt;Superman #1&lt;/a&gt; as Designed by &lt;a href="http://www.hellomuller.com/information/#biography"&gt;Tom Muller&lt;/a&gt;, 2010.) &lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;a href="http://www.amazon.com/Warren-Ellis/e/B001IGQKDG/ref=ntt_athr_dp_pel_pop_1"&gt;Comics writer&lt;/a&gt; and notable &lt;a href="http://en.wikipedia.org/wiki/Transhumanism"&gt;trans-humanist&lt;/a&gt; &lt;a href="http://www.warrenellis.com/"&gt;Warren Ellis&lt;/a&gt; has been hosting a design challenge called &lt;a href="http://freakangels.com/whitechapel/search.php?PostBackAction=Search&amp;amp;Keywords=REMAKE%2FREMODEL&amp;amp;Type=Topics&amp;amp;btnSubmit=Search"&gt;REMAKE/REMODEL&lt;/a&gt; for sometime now. He usually employs characters in the public domain, but this week he brought out the big gun, perhaps the biggest gun in all of comics - &lt;a href="http://en.wikipedia.org/wiki/Superman"&gt;Superman&lt;/a&gt;.&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;The response so far has been &lt;a href="http://freakangels.com/whitechapel/comments.php?DiscussionID=7801&amp;amp;page=1"&gt;tremendous&lt;/a&gt;. Seemingly, everyone wants to take a crack at the big blue boyscout, and with good reason, everyone knows who Superman is, even if they have or never will pick up a comic book.&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;In my opinion, the best explanation, study and examination of the Superman phenomenon comes from &lt;a href="http://en.wikipedia.org/wiki/Steven_T._Seagle"&gt;Steven T. Seagle&lt;/a&gt; and &lt;a href="http://teddykristiansenblog.blogspot.com/"&gt;Teddy Kristiansen&lt;/a&gt;'s &lt;a href="http://www.dccomics.com/vertigo/graphic_novels/?gn=1630"&gt;It's A Bird...&lt;/a&gt; (Vertigo, 2004), which doesn't feature Superman at all and is instead a very personal autobiography of writer Steven T. Seagle dealing with the assignment every writer dreams of (writing Superman) while simultaneously dealing with illness, and thus he finds he cannot relate to an indestructible man of steel.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;This brings us to &lt;a href="http://www.hellomuller.com/"&gt;Tom Muller&lt;/a&gt;'s simple and elegant design (above). While not the traditional image of Superman, Muller's take on the comic icon is powerful and resonating. Is the man of steel an astronaut in danger? An explorer discovering new worlds? Or an alien invader?&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: justify;"&gt;Maybe he's all three.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-8128577421536826126?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/8128577421536826126/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/superman-1-as-designed-by-tom-muller.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8128577421536826126'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8128577421536826126'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/superman-1-as-designed-by-tom-muller.html' title='Superman #1 As Designed by Tom Muller'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_S-mrQSvBJQk/S5KBsAd0uxI/AAAAAAAABN8/ZIOOmrUiXIU/s72-c/superman.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-6486531763744670346</id><published>2010-03-06T08:43:00.000-05:00</published><updated>2010-03-21T23:05:22.651-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Oddities and Obscurities'/><category scheme='http://www.blogger.com/atom/ns#' term='Everything 2'/><title type='text'>Everything 2</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_S-mrQSvBJQk/S5HbnFGONwI/AAAAAAAABN0/jxkblTZUbaM/s1600-h/2NumberTwoInCircle.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_S-mrQSvBJQk/S5HbnFGONwI/AAAAAAAABN0/jxkblTZUbaM/s320/2NumberTwoInCircle.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://everything2.com/title/Payment+Type+by+Socioeconomic+Status"&gt;Some&lt;/a&gt; very &lt;a href="http://everything2.com/title/Raffle+marriage+%2528in+a+bar+last+night%2529"&gt;interesting&lt;/a&gt; and &lt;a href="http://everything2.com/title/Twenty-three+things+to+do%252C+or+not+do%252C+while+on+steroids"&gt;entertaining&lt;/a&gt; &lt;a href="http://everything2.com/title/Reibadailty%2520-%2520randomising%2520letters%2520in%2520the%2520middle%2520of%2520words"&gt;articles&lt;/a&gt; via &lt;a href="http://everything2.com/"&gt;Everything 2&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-6486531763744670346?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/6486531763744670346/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/everything-2.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6486531763744670346'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6486531763744670346'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/everything-2.html' title='Everything 2'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_S-mrQSvBJQk/S5HbnFGONwI/AAAAAAAABN0/jxkblTZUbaM/s72-c/2NumberTwoInCircle.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-4050954364785205644</id><published>2010-03-05T22:12:00.005-05:00</published><updated>2010-03-05T22:40:47.671-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><title type='text'>Malt Shop by Jonathan Hoffman</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://fc00.deviantart.net/fs70/i/2010/058/3/a/Malt_Shop_by_poopbear.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="265" src="http://fc00.deviantart.net/fs70/i/2010/058/3/a/Malt_Shop_by_poopbear.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://poopbear.deviantart.com/art/Malt-Shop-155575561"&gt;Malt Shop&lt;/a&gt; by &lt;a href="http://www.jonhoffmanart.com/"&gt;Jonathan Hoffman&lt;/a&gt; (2010).&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://www.jonhoffmanart.com/"&gt;Jonathan Hoffman&lt;/a&gt; has been getting a lot of attention recently from his piece called "&lt;a href="http://poopbear.deviantart.com/art/Down-for-the-Count-153668816"&gt;Down for The Count&lt;/a&gt;" which was featured on &lt;a href="http://www.boingboing.net/2010/03/03/when-fictional-vampi.html"&gt;Boing Boing&lt;/a&gt;. Personally, I think his piece Malt Shop (above) is more visually striking and iconic, but that might be because his painting confirms my long held suspicions. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;Jonathan is available for &lt;a href="http://www.jonhoffmanart.com/about.html"&gt;commissions&lt;/a&gt; and posters of his work are available via &lt;span id="goog_1267845238212"&gt;&lt;/span&gt;&lt;a href="http://www.zazzle.com/poopbear"&gt;Zazzle&lt;/a&gt;&lt;a href="http://www.blogger.com/"&gt;&lt;span id="goog_1267845238208"&gt;&lt;/span&gt;&lt;/a&gt;&lt;span id="goog_1267845238213"&gt;&lt;/span&gt;.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-4050954364785205644?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/4050954364785205644/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/malt-shop-by-jonathan-hoffman-2010.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4050954364785205644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4050954364785205644'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/malt-shop-by-jonathan-hoffman-2010.html' title='Malt Shop by Jonathan Hoffman'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-6449157825808347844</id><published>2010-03-05T21:47:00.002-05:00</published><updated>2010-03-17T08:28:55.877-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Pareidolia</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;b&gt;Pareidolia&lt;/b&gt; (pronounced &lt;span class="IPA" title="Pronunciation in the International Phonetic Alphabet (IPA)"&gt;&lt;a href="http://en.wikipedia.org/wiki/Wikipedia:IPA_for_English" title="Wikipedia:IPA for English"&gt;/pærɪˈdoʊliə/&lt;/a&gt;&lt;/span&gt;) is a psychological phenomenon involving a vague and random &lt;a href="http://en.wikipedia.org/wiki/Stimulation" title="Stimulation"&gt;stimulus&lt;/a&gt; (often an image or sound) being perceived as significant. Common examples include seeing images of animals or faces in clouds, the &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Man_in_the_moon" title="Man in the moon"&gt;man in the moon&lt;/a&gt;, and hearing &lt;a href="http://en.wikipedia.org/wiki/Hidden_message" title="Hidden message"&gt;hidden messages&lt;/a&gt; on records played in reverse. The word comes from the Greek &lt;i&gt;&lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Para-" title="Para-"&gt;para-&lt;/a&gt;&lt;/i&gt; ("beside", "with", or "alongside"—meaning, in this context, something faulty or wrong (as in &lt;a href="http://en.wikipedia.org/wiki/Paraphasia" title="Paraphasia"&gt;paraphasia&lt;/a&gt;, disordered speech)) and &lt;i&gt;eidolon&lt;/i&gt; ("image"; the diminutive of &lt;i&gt;&lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Eidos" title="Eidos"&gt;eidos&lt;/a&gt;&lt;/i&gt; ("image", "form", "shape")). Pareidolia is a type of &lt;a href="http://en.wikipedia.org/wiki/Apophenia" title="Apophenia"&gt;apophenia&lt;/a&gt;.&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Pareidolia"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/pareidolia"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-6449157825808347844?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/6449157825808347844/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/pareidolia.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6449157825808347844'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6449157825808347844'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/pareidolia.html' title='Pareidolia'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-7096684089533683935</id><published>2010-03-05T15:17:00.002-05:00</published><updated>2010-03-05T22:39:59.859-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Elton Motello'/><category scheme='http://www.blogger.com/atom/ns#' term='LOST'/><title type='text'>Victim Of Time: Elton Motello &amp; Daniel Faraday</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_S-mrQSvBJQk/S5Fcm4HjoVI/AAAAAAAABNk/g3IosJNikys/s1600-h/motello,+elton+-+victim+of+time+%28resized%29gdmac.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/_S-mrQSvBJQk/S5Fcm4HjoVI/AAAAAAAABNk/g3IosJNikys/s400/motello,+elton+-+victim+of+time+%28resized%29gdmac.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;(&lt;a href="http://en.wikipedia.org/wiki/Elton_Motello"&gt;Elton Motello&lt;/a&gt;'s &lt;a href="http://www.discogs.com/Elton-Motello-Victim-Of-Time/release/1191401"&gt;Victim of Time Album,&lt;/a&gt; 1978)&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;About a year ago, while researching &lt;a href="http://www.punk77.co.uk/groups/eltonmotello.htm"&gt;the controversy&lt;/a&gt; between Elton Motello's &lt;a href="http://www.youtube.com/watch?v=2KAXvTvO0TI"&gt;Jet Boy, Jet Girl&lt;/a&gt; and Plastic Bertand's &lt;a href="http://www.youtube.com/watch?v=MsXknE8LOEI"&gt;Ca Plan Pour Moi&lt;/a&gt;, I couldn't help but notice the similarities between &lt;a href="http://en.wikipedia.org/wiki/Elton_Motello"&gt;Elton Motello &lt;/a&gt;and LOST's &lt;a href="http://lostpedia.wikia.com/wiki/Daniel_Faraday"&gt;Daniel Faraday&lt;/a&gt; (played by &lt;a href="http://www.imdb.com/name/nm0001111/"&gt;Jeremy Davies&lt;/a&gt;). The cover above from Motello's 1978 album &lt;i&gt;Victim of Time&lt;/i&gt; bares the most similarities between the two - given LOST's plot and especially Daniel Faraday's plot, it seemed fitting that this wouldn't be a coincidence, but providence.&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5FlaEBxH_I/AAAAAAAABNs/bbhrUkpdEfI/s1600-h/Untitled.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/_S-mrQSvBJQk/S5FlaEBxH_I/AAAAAAAABNs/bbhrUkpdEfI/s400/Untitled.jpg" width="318" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&amp;nbsp;(LOST's &lt;a href="http://lostpedia.wikia.com/wiki/Daniel_Faraday"&gt;Daniel Faraday&lt;/a&gt;, played by &lt;a href="http://www.imdb.com/name/nm0001111/"&gt;Jeremy Davies&lt;/a&gt;)&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;So here we are, a year later and I seem to the only person (at least in internet-land) that has noticed the similarities. I think I've been secretly hoping that somehow the LOST writers would stumble upon this connection and implement it, and considering the series' &lt;a href="http://www.youtube.com/watch?v=FbnI74_KSEA"&gt;prominent use of music&lt;/a&gt; and creation of &lt;a href="http://www.driveshaftband.com/"&gt;DRIVESHAFT&lt;/a&gt;, I dunno, maybe it could've happened?&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;Also: For those of you who have no idea who Elton Motello is, this is probably the best introduction you could hope for:&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/dQlsfsypBi8&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/dQlsfsypBi8&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-7096684089533683935?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/7096684089533683935/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/victim-of-time-elton-motello-daniel.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7096684089533683935'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7096684089533683935'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/victim-of-time-elton-motello-daniel.html' title='Victim Of Time: Elton Motello &amp; Daniel Faraday'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_S-mrQSvBJQk/S5Fcm4HjoVI/AAAAAAAABNk/g3IosJNikys/s72-c/motello,+elton+-+victim+of+time+%28resized%29gdmac.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-3178948446168689910</id><published>2010-03-05T12:49:00.001-05:00</published><updated>2010-03-05T22:40:47.672-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Comics'/><category scheme='http://www.blogger.com/atom/ns#' term='Art and Photography'/><category scheme='http://www.blogger.com/atom/ns#' term='Che Guevara'/><title type='text'>Che Guevara sipping espresso (via Ryan Kelly's Funrama)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;img height="271" src="http://24.media.tumblr.com/tumblr_kytcnl2oyN1qztd7eo1_500.jpg" width="400" /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://funrama.tumblr.com/post/428340748/che-guevara-sipping-espresso-photo-by-raul"&gt;Che Guevara sipping espresso.&lt;/a&gt; Photo by Raùl Corrales, 1959.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-3178948446168689910?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/3178948446168689910/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/che-guevara-sipping-espresso-via-ryan.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3178948446168689910'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3178948446168689910'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/che-guevara-sipping-espresso-via-ryan.html' title='Che Guevara sipping espresso (via Ryan Kelly&apos;s Funrama)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-7280625502353018928</id><published>2010-03-05T09:53:00.002-05:00</published><updated>2010-03-21T23:05:22.654-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><category scheme='http://www.blogger.com/atom/ns#' term='Oddities and Obscurities'/><title type='text'>For Want of a Nail</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;blockquote class="posterous_long_quote"&gt;This &lt;a href="http://en.wikipedia.org/wiki/Proverb" title="Proverb"&gt;proverb&lt;/a&gt; has been around in many forms for centuries (&lt;a href="http://en.wikipedia.org/wiki/For_Want_of_a_Nail_%28proverb%29#History" title="For Want of a Nail (proverb)"&gt;see history below&lt;/a&gt;), and describes a situation where permitting some small undesirable situation will allow gradual and inexorable worsening. The rhyme is thus a good &lt;a href="http://en.wikipedia.org/wiki/Illustration" title="Illustration"&gt;illustration&lt;/a&gt; of the "&lt;a href="http://en.wikipedia.org/wiki/Butterfly_effect" title="Butterfly effect"&gt;The butterfly effect&lt;/a&gt;", and ideas presented in &lt;a href="http://en.wikipedia.org/wiki/Chaos_theory" title="Chaos theory"&gt;chaos theory&lt;/a&gt;, involving sensitive dependence on initial conditions; the initial condition being the presence or absence of the &lt;a href="http://en.wikipedia.org/wiki/Horseshoe" title="Horseshoe"&gt;horseshoe&lt;/a&gt; &lt;a href="http://en.wikipedia.org/wiki/Nail" title="Nail"&gt;nail&lt;/a&gt;.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/For_Want_of_a_Nail_%28proverb%29#cite_note-everything.com-0"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&lt;br /&gt;An important thing to note is that these chains of &lt;a href="http://en.wikipedia.org/wiki/Causality" title="Causality"&gt;causality&lt;/a&gt; are only seen in &lt;a class="mw-redirect" href="http://en.wikipedia.org/wiki/Hindsight" title="Hindsight"&gt;hindsight&lt;/a&gt;. Nobody ever lamented, upon seeing his unshod horse, that the kingdom would eventually fall because of it.&lt;sup class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/For_Want_of_a_Nail_%28proverb%29#cite_note-everything.com-0"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&lt;br /&gt;A somewhat similar idea is referred to in the &lt;a href="http://en.wikipedia.org/wiki/Metaphor" title="Metaphor"&gt;metaphor&lt;/a&gt; known as &lt;a href="http://en.wikipedia.org/wiki/Camel%27s_nose" title="Camel's nose"&gt;The Camel's nose&lt;/a&gt;.&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/For_Want_of_a_Nail_%28proverb%29"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/for-want-of-a-nail-0"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-7280625502353018928?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/7280625502353018928/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/for-want-of-nail.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7280625502353018928'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7280625502353018928'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/for-want-of-nail.html' title='For Want of a Nail'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-2175501980084269934</id><published>2010-03-04T07:44:00.002-05:00</published><updated>2010-03-21T23:04:16.841-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>L'esprit de l'escalier (Staircase Wit)</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;blockquote class="posterous_long_quote"&gt;&lt;b&gt;L’esprit de l’escalier&lt;/b&gt; or &lt;b&gt;esprit d'escalier&lt;/b&gt; (staircase wit) is thinking of a clever comeback when it is too late. The phrase can be used to describe a riposte to an insult or any witty remark that comes to mind too late to be useful—after one has left the scene of the encounter. The phenomenon is usually accompanied by a feeling of regret at not having thought of it when it was most needed or suitable.&lt;br /&gt;The German word &lt;i&gt;Treppenwitz&lt;/i&gt; and the Yiddish word &lt;i&gt;trepverter&lt;/i&gt; are used to express the same idea.&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/L%27espirit_de_l%27escalier"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/lesprit-de-lescalier-staircase-wit"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-2175501980084269934?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/2175501980084269934/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/l-de-l-staircase-wit.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2175501980084269934'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2175501980084269934'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/l-de-l-staircase-wit.html' title='L&amp;#39;esprit de l&amp;#39;escalier (Staircase Wit)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-6696621368833643742</id><published>2010-03-03T21:09:00.002-05:00</published><updated>2010-03-21T23:04:08.198-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Katzenklavier (The Cat Piano)</title><content type='html'>&lt;div class="posterous_autopost"&gt;&lt;div class="posterous_bookmarklet_entry"&gt;&lt;blockquote class="posterous_long_quote"&gt;A &lt;b&gt;cat piano&lt;/b&gt; or &lt;b&gt;Katzenklavier&lt;/b&gt; (&lt;a href="http://en.wikipedia.org/wiki/German_language" title="German language"&gt;German&lt;/a&gt;) is a &lt;a href="http://en.wikipedia.org/wiki/Musical_instrument" title="Musical instrument"&gt;musical instrument&lt;/a&gt; with polyphonic aftertouch described by &lt;a href="http://en.wikipedia.org/wiki/Athanasius_Kircher" title="Athanasius Kircher"&gt;Athanasius Kircher&lt;/a&gt;. It consists of a line of &lt;a href="http://en.wikipedia.org/wiki/Cat" title="Cat"&gt;cats&lt;/a&gt; fixed in place with their tails stretched out underneath a keyboard. Tails would be placed under the keys, causing the cats to cry out in pain when a key was pressed. The cats would be arranged according to the natural tone of their voices.&lt;br /&gt;The instrument was described by German physician &lt;a href="http://en.wikipedia.org/wiki/Johann_Christian_Reil" title="Johann Christian Reil"&gt;Johann Christian Reil&lt;/a&gt; (1759-1813) for the purpose of treating patients who had lost the ability to focus their attention. Reil believed that if they were forced to see and listen to this instrument, it would inevitably capture their attention and they would be cured (Richards, 1998).&lt;/blockquote&gt;&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Katzenklavier"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="font-size: 10px;"&gt;&lt;a href="http://posterous.com/"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/katzenklavier-the-cat-piano"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-6696621368833643742?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/6696621368833643742/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/katzenklavier-cat-piano.html#comment-form' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6696621368833643742'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/6696621368833643742'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/katzenklavier-cat-piano.html' title='Katzenklavier (The Cat Piano)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-3076250332988410099</id><published>2010-03-02T09:51:00.001-05:00</published><updated>2010-03-17T08:29:22.880-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Wikipedia Wednesday'/><title type='text'>Parachronism</title><content type='html'>&lt;div class='posterous_autopost'&gt;&lt;div class="posterous_bookmarklet_entry"&gt; &lt;blockquote class="posterous_long_quote"&gt;Parachronisms are usually seen as objects or ideas which were once common, but are now considered rare or inappropriate. They often take the form of obsolete technology or outdated fashion. This is different from an &lt;a href="http://en.wikipedia.org/wiki/Anachronism" title="Anachronism"&gt;anachronism&lt;/a&gt;, in which the object or idea in question had not yet been invented when the situation takes place, and is therefore impossible to have existed at that time. Thus a suburban housewife in the United States around 1960 would not ordinarily use a &lt;a href="http://en.wikipedia.org/wiki/Washboard" title="Washboard"&gt;washboard&lt;/a&gt; for laundry after &lt;a href="http://en.wikipedia.org/wiki/Washing_machine" title="Washing machine"&gt;washing machines&lt;/a&gt; became the norm, and few teenagers of that time would be listening to &lt;a href="http://en.wikipedia.org/wiki/Ragtime" title="Ragtime"&gt;ragtime&lt;/a&gt; music.&lt;/blockquote&gt;    &lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://en.wikipedia.org/wiki/Parachronism"&gt;en.wikipedia.org&lt;/a&gt;&lt;/div&gt; &lt;p&gt;&lt;/p&gt;&lt;/div&gt; &lt;p style="font-size: 10px;"&gt; &lt;a href="http://posterous.com"&gt;Posted via web&lt;/a&gt;  from &lt;a href="http://wikipedia.posterous.com/parachronism"&gt;some interesting wikipedia articles...&lt;/a&gt; &lt;/p&gt; &lt;/div&gt;  &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-3076250332988410099?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/3076250332988410099/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/parachronism.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3076250332988410099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/3076250332988410099'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2010/03/parachronism.html' title='Parachronism'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-2648251608425668181</id><published>2009-08-02T12:07:00.001-04:00</published><updated>2010-03-02T12:15:02.602-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Comics'/><category scheme='http://www.blogger.com/atom/ns#' term='Crown Dozen'/><title type='text'>Chester 5000 XYV by Jess Fink</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_S-mrQSvBJQk/S41GpHyZyAI/AAAAAAAABLs/SkTaf77LUk0/s1600-h/chester+5000.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 381px; height: 400px;" src="http://1.bp.blogspot.com/_S-mrQSvBJQk/S41GpHyZyAI/AAAAAAAABLs/SkTaf77LUk0/s400/chester+5000.jpg" alt="" id="BLOGGER_PHOTO_ID_5444085196839831554" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;(Originally Posted on &lt;a href="http://www.crowndozen.com"&gt;CrownDozen.com&lt;/a&gt;)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;I'm at a loss for words. Not that words matter. Or are even necessary...&lt;span class="imagestyle"&gt;  &lt;p&gt;I really wish I could put into words what exactly &lt;a href="http://jessfink.com/Chester5000XYV/?p=34"&gt;Chester 5000 XYV&lt;/a&gt; by &lt;a href="http://jessfink.com/"&gt;Jess Fink&lt;/a&gt; exactly is about and why you should care, but I can't. It's just that good.&lt;/p&gt;  &lt;p&gt;Okay. I'll try...&lt;/p&gt;  &lt;p&gt;Chester 5000 XYV is an ongoing erotic Steampunk webcomic set in ye olde' Victorian Times about &lt;strong&gt;Pricilla&lt;/strong&gt;, a recently married woman with an insatiable appetite for flesh, and &lt;strong&gt;Chester 5000 XYV&lt;/strong&gt; an erotic robot created by her work-a-holic husband (most often referred to as "&lt;strong&gt;The Scientist&lt;/strong&gt;") to service Pricilla while The Scientist attends to more serious matters.&lt;/p&gt;  &lt;p&gt;Needless to say, this is a huge mistake. Chester 5000 and Pricilla fall madly in love and The Scientist and his creation quickly find themselves in opposition. But it's deeper than that, and I'll let you find out.....&lt;/p&gt;  &lt;p&gt;Oh. And there are no words. &lt;/p&gt;  &lt;p&gt;That means no dialogue and except for a sparse use of sound effects this entire fluid beautiful story is told with a constant flow of breathtaking images that make an engrossing and quick read. &lt;/p&gt;  &lt;p&gt;And this is what makes Chester 5000 XYV so fuckin' amazing. I could go on and on and on with my analysis of this and that, but this comic is filled with such depth (in characterization, plot, and SUPER SEXY SCENES) that my blathering on about it doesn't seem necessary.&lt;/p&gt;  &lt;p&gt;After all, who needs words?&lt;/p&gt;  &lt;p&gt;&lt;a href="http://jessfink.com/Chester5000XYV/?p=34"&gt;Read Chester 5000 XYV &lt;/a&gt;(from the begining)&lt;/p&gt;&lt;/span&gt;&lt;div style="text-align: center;"&gt;&lt;span class="imagestyle"&gt;&lt;p&gt;&lt;span style="font-size:85%;"&gt;(Originally Posted on &lt;a href="http://www.crowndozen.com/"&gt;CrownDozen.com&lt;/a&gt;)&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-2648251608425668181?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/2648251608425668181/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2009/08/chester-5000-xyv-by-jess-fink.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2648251608425668181'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2648251608425668181'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2009/08/chester-5000-xyv-by-jess-fink.html' title='Chester 5000 XYV by Jess Fink'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_S-mrQSvBJQk/S41GpHyZyAI/AAAAAAAABLs/SkTaf77LUk0/s72-c/chester+5000.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-8569294505316613390</id><published>2008-08-22T11:11:00.003-04:00</published><updated>2010-03-05T11:15:19.857-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Crown Dozen'/><title type='text'>Chemical Brothers - Hey Boy Hey Girl (Soulwax Remix)</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_S-mrQSvBJQk/S5Etoh1yVEI/AAAAAAAABNE/UKEjaZ_KVdA/s1600-h/7161188224_406112.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="298" src="http://4.bp.blogspot.com/_S-mrQSvBJQk/S5Etoh1yVEI/AAAAAAAABNE/UKEjaZ_KVdA/s400/7161188224_406112.jpg" width="400" /&gt;&lt;/a&gt;&amp;nbsp;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;(Originally Posted on &lt;a href="http://www.crowndozen.com/"&gt;CrownDozen.com&lt;/a&gt;)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;Hey Boy Hey Girl! 2 MANY DJS - &lt;a href="http://www.ryancatcher.blogspot.com/"&gt;&lt;b&gt;HERE YOU GO! (link expired)&lt;/b&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Not much to say except that this is another HUGE remix by Soulwax / 2 Many DJs. It updates the original without stomping it into oblivion and is one of the most exciting things I've heard from Soulwax since their Gossip remix.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;br /&gt;Can you believe it's almost been a decade since the Chemical Brothers original came out?  Remember the &lt;a href="http://www.youtube.com/watch?v=4hHsYOLETqE"&gt;video?&lt;/a&gt; It's one of those late 90's videos that I always was glad to be able to watch when I was up all night for no reason except to be up all night.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;br /&gt;Also: The Chemical Brothers have a new album coming out on in a couple weeks. It's a compilation of greatest hits (including the original Hey Boy Hey Girl) and all of the electronic battle weapons. It's called Brotherhood. Pre-order here: &lt;a href="http://www.amazon.com/Brotherhood-Chemical-Brothers/dp/B001D25MNE/ref=sr_1_1?ie=UTF8&amp;amp;s=music&amp;amp;qid=1219359375&amp;amp;sr=8-1%3Cbr%20/%3E"&gt;Amazon.com&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-8569294505316613390?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/8569294505316613390/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2008/08/chemical-brothers-hey-boy-hey-girl.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8569294505316613390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/8569294505316613390'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2008/08/chemical-brothers-hey-boy-hey-girl.html' title='Chemical Brothers - Hey Boy Hey Girl (Soulwax Remix)'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_S-mrQSvBJQk/S5Etoh1yVEI/AAAAAAAABNE/UKEjaZ_KVdA/s72-c/7161188224_406112.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-2250044155756133142</id><published>2008-08-20T21:18:00.004-04:00</published><updated>2010-03-21T23:03:38.896-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Crown Dozen'/><title type='text'>NiggyTardust!</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_S-mrQSvBJQk/S48ZP566pKI/AAAAAAAABMU/_QJPBkbCnWM/s1600-h/niggytardust.gif" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5444598235550885026" src="http://3.bp.blogspot.com/_S-mrQSvBJQk/S48ZP566pKI/AAAAAAAABMU/_QJPBkbCnWM/s400/niggytardust.gif" style="cursor: pointer; display: block; height: 168px; margin: 0px auto 10px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;(Originally Posted on &lt;a href="http://www.crowndozen.com/"&gt;CrownDozen.com&lt;/a&gt;)&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;Just do it.&lt;br /&gt;Buy/Download/Read anything by Saul Williams. It's well worth it. He's one of those artists that belong in a timeless renaissance - a struggle always weighed down by inevitability and availability. His words and ideas and musings reach much further than the artist he echoes, but is also lost in the void of saturation. This modern conundrum is confusing and the apparent struggle of such is...&lt;br /&gt;What I'm sayin, is &lt;b&gt;SAUL WILLIAMS IS MY SHIT!!!&lt;/b&gt;&lt;br /&gt;Here's his latest video:&lt;br /&gt;&lt;b&gt;Saul Williams - Convict Colony&lt;/b&gt;&lt;br /&gt;------------&lt;br /&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/rM5VS97Jx-U&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/rM5VS97Jx-U&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;You may have also heard his song List of Demands used in a Nike commercial. This took me by surprise when I first heard it. List of the Demands is one of the most honest and raw songs I've ever heard and hearing it used to sell sneakers confused me. The 9TH Grader in me wanted to scream: SELL OUT! - but the NOW me accepted as what it is - the dance of duality that must be done.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;span style="font-size: 85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;But I'll allow Saul to speak for himself:&lt;/span&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;span class="imagestyle"&gt;I see no glory in 'preaching to the converted'. Furthermore, I believe fully in the power of music and have branded my work with it's own conscientious stamp and stomp of attitude fueled to steal the show in the face of the nonsensical. Quite simply, it was clear to me that people would not be rushing to the store to buy Nikes after seeing that commercial, but rather rushing to youtube or itunes to hear or download the song. - Saul Williams&lt;/span&gt;&lt;/blockquote&gt;&lt;span class="imagestyle"&gt;&lt;a href="http://www.ryancatcher.blogspot.com/"&gt;&lt;b&gt;List of Demands (320) (link expired)&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-2250044155756133142?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/2250044155756133142/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2008/08/niggytardust.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2250044155756133142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/2250044155756133142'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2008/08/niggytardust.html' title='NiggyTardust!'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_S-mrQSvBJQk/S48ZP566pKI/AAAAAAAABMU/_QJPBkbCnWM/s72-c/niggytardust.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-4894294531247557582</id><published>2008-08-20T11:04:00.005-04:00</published><updated>2010-03-05T11:09:58.003-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Comics'/><category scheme='http://www.blogger.com/atom/ns#' term='Crown Dozen'/><title type='text'>Read it for Free: GIRLS #1 by the Luna Brothers</title><content type='html'>&lt;span class="imagestyle"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;span class="imagestyle"&gt;&lt;a href="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Er8Rpu_nI/AAAAAAAABM8/T4Tq83H5TKA/s1600-h/girlsissue1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Er8Rpu_nI/AAAAAAAABM8/T4Tq83H5TKA/s640/girlsissue1.jpg" width="424" /&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;(Originally Posted on &lt;a href="http://www.crowndozen.com/"&gt;CrownDozen.com&lt;/a&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;span class="imagestyle"&gt; This comic is great and free, so there's no reason not to check it out. It's about a small town boy that finds a mysterious naked woman in the middle of the street and then some crazy shit happens. And I mean some &lt;i&gt;seriously crazy fucked up shit&lt;/i&gt;...&lt;br /&gt;&lt;br /&gt;So if you like naked girls and weird shit, check out &lt;b&gt;GIRLS&lt;/b&gt;. There's a total of 24 issues paced perfectly to build suspense and keep you coming back issue after issue. I couldn't stop myself, I read all 24 without stopping. It was like some crazy naked crack.&lt;br /&gt;&lt;br /&gt;I suggest this for fans of &lt;b&gt;LOST&lt;/b&gt;, if only because &lt;b&gt;GIRLS&lt;/b&gt; has all the mystery and suspense offered by &lt;b&gt;LOST&lt;/b&gt;, but is a lot more assessable and less time consuming and frustrating. So don't sit around pining for the next season of &lt;b&gt;LOST&lt;/b&gt;, read &lt;b&gt;GIRLS&lt;/b&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.imagecomics.com/iconline.php?title=girls_001&amp;amp;page=cover"&gt;&lt;b&gt;READ ISSUE #1 FOR FREE&lt;/b&gt;&lt;/a&gt; (COURTESY OF IMAGE COMICS)&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-4894294531247557582?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/4894294531247557582/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2008/08/read-it-for-free-girls-1-by-luna.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4894294531247557582'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/4894294531247557582'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2008/08/read-it-for-free-girls-1-by-luna.html' title='Read it for Free: GIRLS #1 by the Luna Brothers'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_S-mrQSvBJQk/S5Er8Rpu_nI/AAAAAAAABM8/T4Tq83H5TKA/s72-c/girlsissue1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6590009289287393493.post-7331813425327341379</id><published>2008-07-23T12:49:00.012-04:00</published><updated>2010-03-21T23:03:48.774-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Music'/><category scheme='http://www.blogger.com/atom/ns#' term='Crown Dozen'/><title type='text'>Slept On Sounds: Pelican City</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_S-mrQSvBJQk/S4lb3auIgxI/AAAAAAAABLY/foPRBBUUzOU/s1600-h/pelicancity.gif" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5442982632277705490" src="http://1.bp.blogspot.com/_S-mrQSvBJQk/S4lb3auIgxI/AAAAAAAABLY/foPRBBUUzOU/s400/pelicancity.gif" style="cursor: pointer; display: block; height: 327px; margin: 0px auto 10px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;(Originally Posted on &lt;a href="http://www.crowndozen.com/"&gt;CrownDozen.com&lt;/a&gt;)&lt;/span&gt;&lt;/div&gt;&lt;span class="imagestyle"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;First: There's candy if you get into this car, I promise.&lt;br /&gt;Second: But it's that hard Grandparent candy that's hard to swallow.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;DOWNLOAD: &lt;a href="http://www.mediafire.com/?dtttmdymdjw"&gt;Pelican City "Sesame Street" (updated link 2/27/10: mediafire, 320kbps)&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;AND GET IN THE DAMNED CAR ---------- &amp;gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span class="imagestyle"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;Listen: Pelican City is wicked. Hear that. That's a big beat my friend. I miss those, and this one is like a caged wild animal that might make Billy Squier's wiener shrivel. It's the type of beat that makes my body listen. So I'm already sold on this song instantly. And I hope you are too.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;But there's more...&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;This track crawls and creeps until your nodding your noggin and asking for more, and when you start surrendering your body to the guitars - they taunt and tease and build that crescendo baby until it winds down with a piano searching for solace with each stroke but falling . . . short&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;. . .and then it becomes something completely different - like a little addendum that bookends some quiet frenzy with a novelty car horn. AWOOGA!&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;But it's good.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;And that fuckin' guitar. Seriously. Back to the guitar. I haf'ta tell you what I see when I hear that guitar wail, because it's kinda fucked up and doesn't make any sense.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;This track comes from an album called Rhode Island, but instead of the intended Pelicans and harbor and sea sounds - I see a silent and ghastly New York City. I'm surrounded by the tourist New York I went to on an Eighth Grade school trip. It's of course not the real New York that I imagine exists, but the one that my pop-imagination has replaced it with -- the only thing baring a close resemblance to this is the New York is from a comic, DMZ. &lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;I guess I like my New York un-Giulianied Dirty. Gritty. And dead. (Go read the first issue of DMZ here, it's free and legal and encouraged).&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;Dead New York: I look up. I'm in the midst of nothing. Just cold lonely air, staring up at mammoth buildings that'd dwarf my mountains back home - I know the names of some of them, but I can't recall them. They're not real. They're all like giant adults and I'm a house cat who can't find a leg to rub on.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;And then I hear that beat. The one that could neuter Billy Squier, and I hear a guitar amp crackle and I know I'm in some serious shit.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;And it starts. Crazy dead fuckers start chasing me. And I run.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;And the song plays.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;And it's way more chilled out than the quicken twitch of the God Speed! You Black Emperor song used famously in the WTF? EMPTY LONDON OMG! scene of 28 Days Later, but Pelican City fills my imagination and I roll with it. It's got the same intensity and immersion necessary to keep my feet moving in this marathon so I go go go with it.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;There's too fucking many empty cars and locked buildings in this dead alive town...&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;My heart slams thru my chest, and I want some water. And I run. And all that silly word verbiage I used above like "taunt and tease" and "searching for solace" really pisses me off now. &lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;This becomes life and death. I'm going to get ripped apart. I'm going to. Get. Ripped. Apart.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;DEATH, it's gonna happen. And whatever my reward is when my legs give out and I hit the pavement and the scraped knee and nausea are the least of my worries - this song is here.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;br /&gt;And the piano searching for solace, and it's there. A pulse. A rhythm. A religion. It's there. This song. It's me. Me.&lt;br /&gt;.&lt;br /&gt;.&lt;br /&gt;.&lt;br /&gt;.&lt;br /&gt;.&lt;br /&gt;I don't know dude, that's just how I see the song. &lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;It's a beautiful soulful song, but I see almost-corpses chasing me in a very panicked way. And usually when I run I imagine I'm Renton and I got Iggy beating me senseless, but there's more than a lust for life, there's a lust for sound, something that gets antiqued by the quick pace of shit today - Where an album is out a couple months before it's out and the next big thing is already boring and drained of life.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;So maybe the panic, the running, and the zombie story weren't really pointless, eh? Maybe metaphors for today's music.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;Gawdd. I hope so. If not this whole thing be laaaaame.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;Anyways. Back to business: I found this track lurking in one of those old CMJs. The ones that came in paper you could cut out and put in a jewel-case. I've been sorting thru a couple dozen of these, going all nostalgia on some, but mostly feeling I slept on some greatness. I got a couple tracks I'm going to share with the lot of you in the hope of shedding some light on some slept on sounds. Shit that just DOES IT and does it RIGHT.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;But there's also another agenda, and another rant if you wanna follow me:&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;I think the blogs are clogged with too much of this razor bass smash and grab stuff. Call it Electro-House, or Neu Rave or whatever you want, but it's really starting to get played out.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;At first THE BLOGS were great for finding new music, but now it seems the over exposure has helped homogenize it. They went from tastemakers to school lunch ladies - serving the same scheduled shit. And sometimes you get pizza or the taco salad boats - but more often it's steamed broccoli and cheese or "mystery meat".&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;((I really considered killing this addendum - this damn novelty car horn going too loud at the end of all of this non-sense, but it needs to be said. I think about it a lot.))&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;Now I ain't talkin' shit just to talk shit. I love this type of music. This music seems solely constructed to make me shake my ass. These evil europeans nerds and laptop mixing messiahs know exactly how to make a track JUMP. JUMP. JUMP THE FUCK UP. But sometimes I need to chill. And not Iron and Wine chill, but something different - something not sadly (yeah I used sadly?! WHAT?!) - I need something smooth, that makes me see Zombies.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;I need tracks like this. I &lt;i&gt;need&lt;/i&gt; Pelican City.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;Anyways. Check it: 2 surprises on this one, but you gotta promise that you'll download and listen first so as not to ruin it.&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;After you've come back highlight the spoiler text below:&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;Welcome back compadre. As promised, below are two surprises, way hyped up now and I hope was worth your time.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;span style="color: white;"&gt;1. You know that change up at the end was fuckin' tight. Sunny Days, everything A-OK! Novelty Carhorn or perfect ending? Hard to decide...&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;span style="color: white;"&gt;2. PELICAN CITY is an alias used by DJ DANGERMOUSE when he recorded two downtempo albums and one EP during 1999-2002. He actually did a lot of cool shit before the grey album, check it out sometime.&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="imagestyle"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: 85%;"&gt;(Originally Posted on &lt;a href="http://www.crowndozen.com/"&gt;CrownDozen.com&lt;/a&gt;)&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6590009289287393493-7331813425327341379?l=ryancatcher.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ryancatcher.blogspot.com/feeds/7331813425327341379/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://ryancatcher.blogspot.com/2008/07/slept-on-sounds-pelican-city-crown.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7331813425327341379'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6590009289287393493/posts/default/7331813425327341379'/><link rel='alternate' type='text/html' href='http://ryancatcher.blogspot.com/2008/07/slept-on-sounds-pelican-city-crown.html' title='Slept On Sounds: Pelican City'/><author><name>Ryan Catcher</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_S-mrQSvBJQk/S4lb3auIgxI/AAAAAAAABLY/foPRBBUUzOU/s72-c/pelicancity.gif' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
